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Sonata For Two Horns

I wrote this piece between February and June of 1994. I wrote this when my performing abilities were at their pinnacle and it was rehearsed once in August 1994. The first movement is a combination of sonata allegro form and the two-part invention. The second movement is a short, somber work reliving a recent life-altering event. The third movement grew from a selected duet from a book of ancient European tunes and became an increasingly complex set of variations bookmarked by a simple tune I wrote to mimic others in that book. The last movement is a quick-paced and comical (occasionally irreverent) fugue that can be performed complete with facial expressions and bodily motions; such as bobbing on jaunty passages, grimacing on dissonance and slouching with chromatic downfall. I found this a very fun piece to write and even more fun to listen to. I can just imagine how fun it would be to perform.....