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The human ear has the ability to localize sound objects omnidirectionally, meaning from left to right, in front, behind, above and below. In the spatial version of his track “Gravity Well,” electronic music producer Max Cooper works intently with the positioning of sound objects from all directions. The spatial narrative is carefully built up by introducing the listener to each direction step by step. In the beginning of the piece one becomes aware of the space beneath, by percussions crackling below the feet. The main pad introduces a width to the space by slowly swaying from left to right, accompanied by sparkling bells on both sides. When the beat comes in, the hi-hat articulates the crossing direction by moving back and forth through the space from front to back. And at the end of the piece, the listener is left behind with tiny sounds that continue to pick above the head. To read more about listening to sound in space, check out the full article by 4DSOUND's Paul Oomen on RBMA Daily here: http://daily.redbullmusicacademy.com/... This composition was recorded in the 4DSOUND system with a binaural head and/or in-ear stereo microphones. The video is a real-time capture of the 4D.Animator software visualizing the composition as they have been originally created by the artist in 4DSOUND. The camera viewpoint does not necessarily coincide with the recording position of the binaural microphones. For an optimal listening experience, please use headphones at all times. Try listening to the recordings while watching the visualizations and follow the movements and manifestation of the sounds in space. Or listen with your eyes closed and focus on how the sounds are articulated in the actual space you are in. Try listening to it in different spaces, at home, in a large hall, outside... Each environment will change your perception of the recording. Max Cooper's new album, Emergence, is released on 25 November www.maxcooper.net www.facebook.com/maxcoopermax ABOUT 4DSOUND Building on ten years of research, development and experimentation in spatial sound technology, 4DSOUND opens up new possibilities to create, perform and experience sound spatially. 4DSOUND enables vivid sonic environments that blur the boundaries between the real and the imagined: the world of sound we know, and a world beyond. Sound appears as a physical entity that can move infinitely far away or come intimately close, transcending the actual space you are in. The listener is encouraged to explore the space, moving between blocks of sound, touching lines of sound and walking through walls of sound. 4DSOUND closely collaborates with a growing range of composers, musicians and interdisciplinary artists to develop new forms of integrated spatial music performance and sound design. For more information about 4D Sound: http://www.4dsound.net ABOUT THE 4D.Animator The 4D.Animator software is a tool that has significantly enhanced the creative practice of composing and performing with space. It’s dedicated to visualizing the spatial process in real-time. The visualizations show how sound sources of different shape and size move and interact in the continuum of space, relative to the floor and columns of a 4DSOUND system that contain actual loudspeakers. The 4D.Animator provides a comprehensive overview of the spatial composition as a whole. The Red Bull Music Academy is a global music institution committed to fostering creativity in music. We celebrate music, its culture, and the transformative minds behind it. Begun in 1998, the Academy has taken the core principles that underlie its annual workshop for selected participants and applied this curatorial approach to events, lectures, and city-wide festivals throughout the year. ► Subscribe to our YouTube Channel: http://bit.ly/10OyDHc ► Visit our official website: http://win.gs/avjLrK ► Our latest videos on YouTube: http://bit.ly/12nkX7h ► Follow us on Twitter: http://bit.ly/Lx4wQy ► Like us on Facebook: http://on.fb.me/12N5Ch0