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Florence Lam There is a cocoon, but nobody is inside 2024 Florence Lam reimagines Michele Chu’s delicate space as a cocoon—both an incubator and a sanctuary—where she resides overnight with 26 bean bags, each marking a year of her existence until an abortion reshaped her life. During her occupancy, the room is sealed, accessible only through mediated observation via barriers or a live camera feed. The live footage is overlaid with ultrasound scans of her womb during menstruation, weaving together the flows of time and cycles of body renewal. Throughout the performance, Lam exposes a host-guest dynamic from within, becoming an inhabitant of her own reproductive organ, resting, crafting, and signaling. Upon her departure, the room—restored yet transformed—becomes a vacant cocoon of an invisible metamorphosis, paving the way for Lam's next work, Ocean Birth, set on the coast, where the shift from the confined to the boundless offers new terrain for her ongoing exploration of fertility. 13 Dec, 5:30–8pm; 14 Dec, 12–1pm On-site, Para Site, 10/F 13 Dec, 5:30pm–14 Dec, 1pm Live stream, Para Site YouTube Channel Production support: Victor Cheung Part of ‘The Embrace and the Passage’, curated by Jessie Kwok https://www.para-site.art/exhibitions... Florence Lam 《這裏有一個繭,但沒有人在裏面》 2024年 Florence Lam在朱凱婷建構的迷茫空間中渡過一晚,並視之為一個繭,既是孵化器,亦如庇護所。她帶來廿六個豆袋相伴,每個都標記着她一年的光陰,直至一次墮胎的經歷重塑其人生。在她暫留期間,房間封閉,只允許觀眾透過屏障或鏡頭來見證。藝術家將自己月經來潮時的子宮超聲波掃描疊加在實時影像之上,藉此交織時間的流逝與身體週期的循環。在展演中,藝術家重曝由內而生的主客角色,棲息於自己的生育器官,反覆休歇、創作和示意。 在她離開後,空間雖已復原,卻被重新定義成一個空置的繭,孕育過代謝和蛻變。之後,她從幽室轉移至無垠大海,呈現另一作品《海誕》,繼續思量生育的命題。 12月13日,下午5:30至晚上8時; 12月14日,中午12時至下午1時 Para Site十樓現場展演 12月13日,下午5:30至 12月14日,下午1時 Para Site YouTube頻道線上直播 展演由張穎賢協助製作 展覽「棲與渡」由郭芷凝策劃 https://www.para-site.art/exhibitions...