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**Open for description** This is a walkthrough and deep-dive into John Williams use of variation in this film music themes. It's based upon a paper written by Mark Richards, and various tutorials found on the internet. It's main focus is the various techniques and approches John Williams uses to create and vary his themes, and how you as a composer can utilize and learn from these and put them into practice. In the second half of the movie, an orchestral sketch is made from scratch, where several of these techniques and approaches are used. Other influences for the melodic material includes Newman, Menken and Gregson-Williams. Download the midi here: https://bit.ly/3d8JfBZ 00:00 Marion's theme 00:21 Williams' process 01:17 How does he actually do it? 01:32 Part 1: Theme categories, Classes and Types 03:04 Division of grammatical themes 04:18 Part 2: Techniques of variation 07:55 Playthrough of pianosketch 10:09 Stepwise process of composition Shot from "Catch me if you can" and "Raiders march" are originals made by bradfrey • "Closing In/Intro Sequence" - Catch Me If ... Shot from "Jaws" is an original made by NMK Music • THE SHARK THEME From JAWS Score Reduction ... My gear: 💙 TEControl ► https://www.tecontrol.se 🎹 Divisimate ► https://divisimate.com/ 🎼 Cinematic Studio Series ► https://cinematicstudioseries.com 🔊 Project Colossal ► https://bit.ly/35wT7lt #JohnWilliams #Composition #Orchestration