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"Butterflies" is a Detroit techno classic that captures Kenny Larkin at his peak—soulful, subtle, and technically brilliant. It opens with a crisp, understated beat—classic 909 hi-hats and a subtle kick drum that set a steady 4/4 pulse, quintessential to Detroit techno’s motor-city roots. The tempo hovers around 125-130 BPM, relaxed yet propulsive, inviting movement without overwhelming the listener. Early on, Larkin introduces a delicate, twinkling synth line—think chime-like bells or a soft xylophone—that flutters above the rhythm, evoking the track’s namesake. This motif is playful yet elusive, darting in and out like butterflies in flight, a nod to his jazz-inspired improvisation. As the track unfolds, layers build gradually. A muted bassline emerges, understated but firm, anchoring the groove without dominating it. Unlike the aggressive low-end of some techno, this bass is restrained, letting the mids and highs breathe—a hallmark of Larkin’s “techno soul” approach. Around the 2-minute mark, a secondary synth pad sweeps in, warm and atmospheric, adding depth and a sense of spatial expansion. The structure feels stream-of-consciousness, as noted in Discogs reviews, with elements weaving in and out organically rather than adhering to rigid loops. The arrangement avoids redundancy—those “undynamic looped beats” Larkin sidesteps, per a Discogs commenter. Instead, it evolves subtly: hi-hats shift in intensity, synths modulate, and faint percussive accents (handclaps or shakers) punctuate the mix. By the midpoint, the track reaches a quiet crescendo—not a peak-time banger drop, but a swelling of texture that feels alive, almost sentient. The final third winds down gracefully, with layers peeling back to leave the core rhythm and that signature bell-like melody lingering, a wistful farewell.