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Keith looks at what colour spaces he uses for editing images and how it relates to monitor choices and printing. Do you need a large gamut monitor and how big a colour working space is needed. How much difference does this really make when printing or putting images onto the web. There is an extended article covering the content of this video, which also cover things like rendering intents and image adjustments for printing: https://www.northlight-images.co.uk/a... The Colour management book referenced can likely be found used "Real World Color Management " Fraser et al ISBN-10 : 0321267222 ISBN-13 : 978-0321267221 'Photoshop for photographers' M Evening ISBN-10 : 0240520289 ISBN-13 : 978-0240520285 See here for the Colour management chapter from the CS3 book [still relevant] http://www.photoshopforphotographers.... Keith's recent video looking at printing bright colours • Printing photos - getting closer to b... For details of all of Keith's print related articles, reviews and videos see: https://www.northlight-images.co.uk/p... 00:00 Start 01:45 Some bright colourful images 02:47 Photographing bright colours 03:48 Camera colour space? 04:23 Not getting worried over sRGB 06:30 Processing images and colour spaces 08:18 Editing on smaller gamut screens 09:35 Using an even bigger colour space 10:50 Editing colours you can't see? 12:10 An aside: Why I use ProPhoto for B&W 13:15 Working at 16 bit 14:06 Knowing what's in your image 18:05 Comparing with what a print can manage 20:18 A different paper - what's different? 21:03 Rendering intents? 22:20 An overview