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🎥 At the Media Production Show 2025, Darren from Blackmagic Design dives into the brand-new Pyxis 12K camera and how it fits into the larger Blackmagic live production ecosystem. From the power of Blackmagic RAW to end-to-end camera-switcher integration, this video is packed with insights for filmmakers, streamers, and broadcast pros. ✅ Key Topics Covered: The launch and purpose of the new Pyxis 12K Why it’s the perfect B-cam for URSA 12K setups Full benefits of staying inside the Blackmagic ecosystem Camera-to-switcher integration: tally, talkback, control Matching color science across multiple cameras Blackmagic RAW efficiency & flexibility Choosing the right ATEM switcher for your production New Resolve Replay tools for live + post workflows 🆕 Just launched. Available now. 🛠️ Ideal for: live production, multi cam, film, streaming, sports 👍 Like, Subscribe & let us know what your Blackmagic setup looks like! 00:00 - 00:21 – 🎤 Intro: Blackmagic at MPS 2025 00:21 - 00:44 – 🚨 Launching the Pyxis 12K: Origin & Purpose 00:44 - 01:01 – 📸 Built from the URSA 12K Sensor 01:01 - 01:16 – 🎛️ Pyxis vs. URSA: What’s Different? 01:16 - 01:35 – 🧰 Modular Design for Studio & Location Work 01:35 - 01:59 – 🔁 Why Uniform Camera Ecosystems Matter 01:59 - 02:26 – 🎚️ Camera Control, Talkback, and Tally via SDI 02:26 - 02:55 – 🎨 Color Matching Across Blackmagic Cameras 02:55 - 03:11 – 🎥 BRAW for Live + Post: Flexibility & Retouching 03:11 - 03:27 – 💡 Codecs, Color Data & Misconceptions on File Size 03:27 - 03:46 – 🧠 Choosing the Right ATEM Switcher 03:46 - 04:05 – 🔌 HDMI vs SDI & ISO Recording Options 04:05 - 04:27 – 🗂️ ISO Models Explained + In-Camera ISO Support 04:27 - 04:51 – ⏪ Resolve Replay Tools for Live Sports & Events 04:51 - 05:00 – 🧩 Live + Post + Cine Worlds Collide 05:00 - 05:12 – 🙏 Wrap-Up & Thanks #BlackmagicDesign #Pyxis12K #BlackmagicRAW #URSA12K #LiveProduction #BroadcastGear #ATEMMini #BlackmagicSwitcher #ResolveReplay #MPS2025 #CameraLaunch #DaVinciResolve #FilmGear2025 #mpts2025