Ayyane Un Mahimaiyai (Asaveri) | Arunachala Kavirayar | Ramanatakam скачать в хорошем качестве

Ayyane Un Mahimaiyai (Asaveri) | Arunachala Kavirayar | Ramanatakam

Ayyane Un Mahimaiyai - Asaveri - Adi | Arunachala Kavirayar | Ramanatakam | Sung by Thirupambaram S Shanmugasundaram [Full Playlist]    • Ramanataka Keerthanaigal   [Chapter] Yuddha Kandam [Scene] Garuda extols the greatness of Shri Rama [Gist] In the Rāmāyaṇa's yuddha kāṇḍa, Rāma's forces face Rāvaṇa’s army. Rāvaṇan and his sons use witchcraft to become invisible in battle. When Rāma's troops are ensnared by the nāgāstra (snake missile), it is Hanumān who calls upon Garuḍa, Lord Viṣhṇu's vāhana and the mortal enemy of snakes, to save them. Even as the shadow of Garuḍa's wings falls on the battlefield, the constricting snakes flee, liberating everyone. In his Rāmanāṭakam, the Kavirāyar imagines an amazed and grateful Rāma (who had incarnated as a mere human with not even an inkling of his divine prowess) asking for Garuḍa's identity and attempting to express gratitude. In this kṛti, the Kavirāyar describes how Garuḍa humbly pays obeisance to Rāma instead, refusing thanks. Garuḍa begins by saying that even the great Ādisheṣha would not be capable of describing Rāma, the one who incarnated in Ayodhyā in response to the request and prayers of the celestials, and his greatness. He goes on to say that Rāma is not only the creator of Brahmā and other celestials, he is their Lord as well. Garuḍa praises Rāma as the granter of boons and one who has everything and therefore needs nothing. Garuḍa explains that Rāma embodies the entire cosmos, releasing parts at will and possessing powers that eliminate the need for external support or help. He describes Rāma as both the beginning and the end of everything, intertwined with the universe like oil in a seed. Garuḍa questions his ability to convey Rāma's glory, noting that even scriptures fall very short. He portrays Rāma as the embodiment of the three divine functions (creation, protection, destruction), three qualities/guṇa-s (satva, rajas, tamas), three luminaries (sun, moon, fire), and three parts of the day (morning, noon, night) and the three entities essential to navigate life on earth and move towards knowledge and liberation (pati, pashu, pasham). Garuḍan emphasizes that, as the remover of desires and bondages, Rāma would have been able to eliminate the nāgāstra’s yoke without assistance from another person. pallavi ayyanE un mEnmaiyai arindu sholla vENumenrAl AdishESanukkum varumO anupallavi tuyyanE kAttaruL shei meyyanE ena dEvar stOtram sheidiDa ayOddhi nagaril vanda caraNam 1 brahmAdi dEvargaLaip-peruvAnum nI avarkkup-perumAnum nI unakku oruvar nErA tarum Adi padavigaLait-taruvAnum nI unakkut-tara vENadenna kOsala kumArA engaL caraNam 2 ulagellAm un vayiTril oDukkuvAi viDuppAi pin oruvarukkum uNDO indap-periya trANi talaivanE unakkoruvar balam vENDum enbadennO satyamO nitya kOdaNDapANi engaL caraNam 3 Adi naDu muDivAghi eLLum eNNaiyum pOlE angangum niraindAyE nI ippOdu mEdiniyilE unakkum edir oruvar uNDenru vil eDuttu viLaiyADa vandadEdu engaL caraNam 4 AraNangaL kUDa unran kAraNangaL ariyAmal araLik-kaiyAl akhila lOka mitranE nAraNanE akhaNDa paripUraNanE un kIrti nAnuraikka muDiyumO rAmabhadranE engaL caraNam 5 muttozhilum mugguNamum muccuDarum muppozhudum mupporuLum Aghi ninra mUrti rAmA bhaktar AshApAsham tolaikkum unakkoru nAga pAsham tolaittiDuvadu prayAsamAmO engaL Credits: Gist provided by: Ravi Shankar Curated by: Ajay Simha M V