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According to Erik Spiekermann, ‘DIN’ is the magic word for anything that can be measured in Germany. This includes the official German typeface, appropriately (and not surprisingly) called DIN-Schrift. Ever since Albert turned it into FF DIN, it’s been the favourite face of many graphic designers. Retrospectivly, one might thinkthat Albert’s career as a type designer was planned on a drawing board too. Spoiler: it’s not … In his talk, he reveals some of the stories on how his encounter with the lettering models of DIN 1451 led him to surprising discoveries and places such as Centre Pompidou and MoMa. Many of his typefaces and projects relied on chance meetings as well. Also, his voluntary work on several DIN standards as an expert on legibility was never planned. So, if you always wanted to know how to unintentionally acquire a job.