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During the Belle Époque in Paris, art flourished in cafés, studios, and academies, but the world of sculpture remained a difficult territory for women. Working with marble, plaster, or bronze required access to training, space, and resources that were almost always reserved for men. Even so, a small group of women sculptors managed to carve out their place. They studied in private academies, shared studios in neighborhoods like Montparnasse, and exhibited in salons where their presence was still considered unusual. Their works spoke of intimacy, emotion, and movement, with a sensitivity that was different, yet equally powerful. Many remained in the shadow of their male colleagues, and their names faded over time. Yet they were quiet pioneers: they shaped not only figures, but also the place of women within modern art. Thank you for being part of this journey. If you appreciate this glimpse into the past, please subscribe to join me for future volumes. 00:00 — Whisper of Camille Claudel 04:23 — Hands of Marble — Hélène Bertaux 08:38 — Shadows in the Studio of Jane Poupelet 14:36 — Form and Silence — Yvonne Serruys 19:32 — Clay at Dusk — Marie Cazin 25:05 — Echo in Plaster — Clotilde Roch 30:05 — Light on the Unfinished Bust 34:02 — Stone Dust in Montparnasse 38:37 — Heartbeat of Marble 43:44 — Studio Under Gaslight 51:43 — Between Chisels and Dreams 58:13 — The Statue’s Last Gaze