Birdsong Grateful Dead Scales and Arpeggios for Improvising скачать в хорошем качестве

Birdsong Grateful Dead Scales and Arpeggios for Improvising

This lesson for Birdsong by the Grateful Dead outlines details all scales and arpeggios most useful for improvisation. Links to PDFs with a comprehensive view of the guitar neck listed below. Timecodes outlining the lesson are listed below. My email is bobby@thehallsofmusic.com or bobhallguitar@gmail.com Have fun!! Tip jar cashapp is $bobhall14 Venmo is https://venmo.com/u/bobbyhallmusic Create financial liberty for me to more time to create great content   / bobbyhallmusic   Birdsong E mixolydian scale https://thehallsofmusic.com/wp-conten... Birdsong E major Arpeggio https://thehallsofmusic.com/wp-conten... Birdsong E major Pentatonic https://thehallsofmusic.com/wp-conten... Birdsong the B Dorian scale/mode https://thehallsofmusic.com/wp-conten... Birdsong the B minor arpeggio https://thehallsofmusic.com/wp-conten... Birdsong the B minor pentatonic scale https://thehallsofmusic.com/wp-conten... Birdsong the A major scale https://thehallsofmusic.com/wp-conten... Birdsong the A major Arpeggio https://thehallsofmusic.com/wp-conten... Birdsong the A major pentatonic scale https://thehallsofmusic.com/wp-conten... Timecodes 0:00 Birdsong Improvisation Performance 2:39 Intro into video I 3:36 The first steps for studying a tune Know what feel or time signature the tune is Birdsong is in swing time Can you count and clap swing time? Every exercise you create needs to be in swing time 4:59 Beginning to understand the harmony Having an understanding where the harmony resolves is important Be able to play the chord progression to create backing tracks 8:14 The E mixolydian mode Include the link for pdf again here Know the scale well enough to play it anywhere on the guitar with ease Singing the scale as your practice it is a good idea Playing the low E note as drone while improvising the scale is also a good idea Playing along with the backing track is a fun way to practice Resolving your melodies to chord tones is a great way to make them sound focused Knowing the arpeggios helps to know how to resolve your melodic lines 12:18 Learning the Arpeggios Include the link for pdf again here Over the Bm/E chord is a B minor arpeggio Over the Bm7/E is an A major arpeggio Over the E chord is an E major arpeggio Be able to think the scale degrees 1, 3, and 5 for each arpeggio over its respective chord Improvising with the arpeggios over the correct chord helps to learn how to resolve Improvising with arpeggios is bland sounding but good for practicing them in real time After getting the arpeggios down, use the mixolydian mode as connective melodic material Create your own arpeggios that are unique to your mind with this skill is a great idea 16:09 Learning the Pentatonic Scales Include the link for pdf again here These scales are the easiest to learn and play Play the scale throughout the entire neck Concentrate on one area on the neck to get a deeper understanding Run the scales with swinging 8th notes You can run them and change with the rate of the chord progression for good practice Improvise with the pentatonic scales first to practice using only them Try using all concepts with the pentatonic scales including the mixolydian mode and arpeggios Let loose and have fun… That is the MOST IMPORTANT THING!! 😊 20:23 Learning other people’s solos is important for developing depth Combining other people’s solos and working on scales and arpeggios is the best practice 22:20 Backing track without any lead guitar for you to practice