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Kiara Advani speaks to Anupama Chopra about making her international film festival debut with the 77th edition of Cannes. The actor, who will represent India at the Women in Cinema Gala Dinner, opens up about the importance of gender representation in filmmaking, her desire to blend content and commerce, and leaving her mark on the industry. Advani also speaks about her role S. Shankar’s upcoming Telugu film Game Changer, how “Jaragandi” was the hardest song she’s ever shot, and trusting her instinct when it comes to picking her projects. #FCAtCannes in Association with: Entertainment Partner: Airtel Xstream Fiber (#AirtelXstreamIndia) Beauty Partner: Lakme Podcast Partner: @AmazonMusicIN Travel Partner: Air France 00:00 - At Cannes'24 with Kiara Advani 00:48 - What brings Kiara here, this time? 02:39 - Kiara’s 10th year in films 03:29 - Taking different types of risks, and making risks commercial 06:31 - Working with someone as big as Shankar, and being afraid of losing voice 10:55 - Keeping the attention Sid and Kiara get, about their personal lives 13:37 - The Untitled SLB project with Nayanthara Have you subscribed to Film Companion yet? Join us here - http://bit.ly/FCsubscribe Follow Us On: / filmcompanion / filmcompanion / filmcompanion About The Channel: The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.