Paula Seling & Electric Brother - Mai am un singur dor ( AI music video by Paul Seling ) скачать в хорошем качестве

Paula Seling & Electric Brother - Mai am un singur dor ( AI music video by Paul Seling )

#aimovie #aimusicvideo #aishortvideo #experimentalvideo #aianimation #experimentalshort #davinciresolve #envatoelements #topazai #pamphlet The video proposes a seemingly playful fiction with a reflective undertone: an unlikely encounter between a young woman of the present—efficient, well-integrated into the contemporary urban ecosystem—and a canonical figure of Romanian culture, technologically reconstructed. The poet is not brought back to life in the classical sense, but replicated and temporarily activated, much like a functional object in a world governed by utility and consumption. The transformation of a poetry volume into a 3D-printed object discreetly signals an essential shift: culture is no longer internalized, but processed; no longer lived, but used. The poet becomes a project companion, an intellectual accessory within a correct and predictable educational trajectory. Their walk through the city traces a recognizable inventory of contemporary rituals: specialty coffee, new architecture inserted into old urban fabric, the mall as a total space, the underground club as an alternative form of validation. These markers are presented as accepted normality, and the tension emerges precisely from this neutrality: the poet is integrated into the flow, adapted, styled, equipped to “fit in.” The irony arises from contrast rather than caricature. The poet—symbol of inner unrest and critical vision—is carried through an environment that values surface, trends, and instant experience. He does not openly revolt; his drama remains quiet, almost invisible, and therefore deeply relatable. The final gesture, in which the poet is switched off and stored “for later use,” closes the metaphorical circle: culture becomes an intermittent resource, activated when needed, archived in the cold. Not destroyed, but no longer alive. Releasing the video on the poet’s birthday is not a commemorative act, but an interrogative one. The video offers no verdicts; instead, it subtly shifts perspective, inviting the viewer’s empathy to move away from the certainty of the present toward the fragility of a consciousness forced to function within a system structurally foreign to it. The question remains suspended: what do we choose to keep alive, and what do we place—often without realizing it—in the refrigerator?