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The new album ‘Between Spheres’ by the Boreas Quartett Bremen is available here: https://play.audite.de/between-spheres Between Spheres focuses on the sound poetry of the recorder consort. Music of the 17th century is interwoven with a contemporary work cycle dedicated to the quartet. Both musical spheres have a beauty of sound that captures the ear and makes the listener wonder where one era ends and another begins. The Boreas Quartett Bremen presents a magical sound of the flute ensemble that switches between worlds of expression with virtuosity: it sounds like birdsong in Poglietti's Rossignolo and Schönewolf's Unter Kranichen, hypnotically set with low flutes in the polyphonic Ricercari of the Late Renaissance, agile and highly virtuosic in fugue compositions of both eras. The pieces are closely interwoven, hovering “between spheres”. The recording is the second release of the Boreas Quartett Bremen after the ICMA award-winning album Basevi Codex from 2022. On the album: Alessandro Poglietti: Ricercar septimi toni Markus Schönewolf: Schwebungen (part 1): Unter Kranichen Alessandro Poglietti: Canzon über dass Henner und Hannergeschreÿ Alessandro Poglietti: Fuga secundi toni Markus Schönewolf: Schwebungen (part 2): In Wolken zu schwimmen Alessandro Poglietti: Ricercar tertii toni Alessandro Poglietti: Ricercar quinti toni "Der Tag der ist so freüdenreich" Alessandro Poglietti: Ricercar primi toni a tre soggetti Markus Schönewolf: Schwebungen (part 3): Stürze Markus Schönewolf: Schwebungen (part 3): Seelenreise Alessandro Poglietti: Fuga Alessandro Poglietti: Ricercar primi toni Alessandro Poglietti: Ricercar quarti toni Markus Schönewolf: Schwebungen (part 4): Balz Alessandro Poglietti: Ricercar per lo Rossignolo Alessandro Poglietti: Syncopatione del Ricercar Alessandro Poglietti: Capriccio per lo Rossignolo sopra il Ricercar Alessandro Poglietti: Ricercar secundi toni Markus Schönewolf: Schwebungen (part 5): Fliehende Winde. Frühlingssobben recording: August 27-30, 2022 Eine Aufnahme des Saarländischen Rundfunks, Saarbrücken recording location: Funkhaus Halberg Saarbrücken, Großer Sendesaal producer SR: Nike Keisinger recording producer / mastering: Dipl.-Tonmeister Simon Böckenhoff recording engineer: Dipl.-Ing. Thomas Becher editing: Dipl.-Tonmeister Justus Beyer / Dipl.-Tonmeister Simon Böckenhoff executive producer: Dipl.-Tonmeister Ludger Böckenhoff recording format: PCM 96kHz, 24bit art direction and design: AB•Design video: Burkhard Scheibe Follow us: Instagram / audite.classical Facebook / audite.classical Website: https://www.audite.de #BoreasQuartettBremen #recorderconsort #Poglietti #Schönewolf #audite #classicalmusic #klassischemusik #musiqueclassique