John Ashbery's Melodic Trains | Themes | Summary | Complete Literary Analysis & Meaning | скачать в хорошем качестве

John Ashbery's Melodic Trains | Themes | Summary | Complete Literary Analysis & Meaning |

#MelodicTrainsDecoded #AshberyMelodicTrains #JohnAshberyAnalysis #PoemBreakdownMagic #EnigmaticAshbery #ModernPoetryUnveiled #LiteraryTrainsJourney #AshberyPoemSecrets #AbstractVerseExplained #PostmodernPoetryDive “MELODIC TRAINS” A little girl with scarlet enameled fingernails Asks me what time it is—evidently that's a toy wristwatch She's wearing, for fun. And it is fun to wear other Odd things, like this briar pipe and tweed coat Like date-colored sierras with the lines of seams Sketched in and plunging now and then into unfathomable Valleys that can't be deduced by the shape of the person Sitting inside it—me, and just as our way is flat across Dales and gulches, as though our train were a pencil Guided by a ruler held against a photomural of the Alps We both come to see distance as something unofficial And impersonal yet not without its curious justification Like the time of a stopped watch—right twice a day. Only the wait in stations is vague and Dimensionless, like oneself. How do they decide how much Time to spend in each? One begins to suspect there's no Rule or that it's applied haphazardly. Sadness of the faces of children on the platform, Concern of the grownups for connections, for the chances Of getting a taxi, since these have no timetable. You get one if you can find one though in principle You can always find one, but the segment of chance In the circle of certainty is what gives these leaning Tower of Pisa figures their aspect of dogged Impatience, banking forward into the wind. In short any stop before the final one creates Clouds of anxiety, of sad, regretful impatience With ourselves, our lives, the way we have been dealing With other people up until now. Why couldn't We have been more considerate? These figures leaving The platform or waiting to board the train are my brothers In a way that really wants to tell me whey there is so little Panic and disorder in the world, and so much unhappiness. If I were to get down now to stretch, take a few steps In the wearying and world-weary clouds of steam like great White apples, might I just through proximity and aping Of postures and attitudes communicate this concern of mine To them? That their jagged attitudes correspond to mine, That their beefing strikes answering silver bells within My own chest, and that I know, as they do, how the last Stop is the most anxious one of all, though it means Getting home at last, to the pleasures and dissatisfactions of home? It's as though a visible chorus called up the different Stages of the journey, singing about them and being them: Not the people in the station, not the child opposite me With currant fingernails, but the windows, seen through, Reflecting imperfectly, ruthlessly splitting open the bluish Vague landscape like a zipper. Each voice has its own Descending scale to put one in one's place at every stage; One need never not know hwere one is Unless one give up listening, sleeping, approaching a small Western town that is nothing but a windmill. Then The great fury of the end can drop as the solo Voices tell about it, wreathing it somehow with an aura Of good fortune and colossal welcomes from the mayor and Citizens' committees tossing their hats into the air. To hear them singing you'd think it had already happened And we had focused back on the furniture of the air.