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For more videos and pictures please visit: / sadafsmirza Aquatint is a printmaking technique used to create tonal effects in etchings. It involves applying a powdered resin to a metal plate and then using heat to create a pattern of fine dots or granules on its surface. When the plate is subsequently etched in an acid bath, these dots will hold ink and create areas of varying tones when printed. Here's the process of aquatint from preparing the plate to finishing the print: Preparing the Metal Plate: The first step is to select a metal plate, traditionally copper or zinc, as they are commonly used in printmaking. Clean the plate thoroughly to remove any dirt, oil, or residues. This ensures that the aquatint ground adheres properly to the plate. Applying the Aquatint Ground: The next step is to apply the aquatint ground, which is a powdered resin or rosin. Aquatint grounds come in various grades, and the size of the particles will influence the tonal effect of the final print. Finer particles produce smoother tones, while coarser particles create a grainy texture. Place the clean metal plate on a hot plate or use a torch to heat the plate until it reaches a suitable temperature for melting the powdered resin. Sprinkle the aquatint ground evenly over the heated plate's surface. This can be done manually or with the help of a specialized tool called an aquatint box, which evenly distributes the resin across the plate. Allow the plate to cool and inspect the coverage of the resin dots. If necessary, repeat the process to achieve the desired density of dots. Creating a Stopping Out Varnish: To control the areas that will be exposed to the acid during etching, a stopping-out varnish is applied over specific areas of the plate. This varnish prevents those areas from being etched and retains the white areas in the final print. Etching the Plate: Submerge the prepared plate into an acid bath, such as nitric acid. The acid will bite into the metal plate in the areas not protected by the stopping-out varnish. The plate is left in the acid bath for a controlled period. The longer it stays, the deeper the etched lines or pits will be, resulting in darker tones in the final print. Periodically, the plate is taken out and checked to see the progress of the etching. The process may involve multiple immersions in the acid bath, depending on the desired tonal range. Cleaning and Preparing for Printing: Once the desired depth of etching is achieved, remove the plate from the acid bath and thoroughly clean off the aquatint ground and stopping-out varnish. Ink is applied to the plate, filling in the etched lines and the areas with the aquatint dots. Printing the Aquatint: Place a dampened piece of paper on top of the inked plate. Pass the plate and paper through a printing press under pressure, transferring the ink from the plate to the paper. Carefully peel off the print from the plate to reveal the aquatinted image. Finishing the Print: Allow the print to dry completely. Depending on the artist's preference, the print may be further hand-colored or left as it is, showcasing the delicate tonal variations created by the aquatint. #contemporaryart #aquatint #intaglio #printmaking #art #print #printmaker #intaglioprint #printmakersofinstagram #printmakingart #drawing #artwork #artist #ink #contemporaryprintmaking #handmade #inmystudio #justprintmaking #pakistan #islamabad #pakistaniartist #artistsoninstagram #illustration #artfrompakistan #artistic #diy #printmaking #intaglio #copperplate #etching #print #burnisher #sadafmirzart