Francesco Uttini (1723-1795) - Overture 'Il re pastore' (1755) скачать в хорошем качестве

Francesco Uttini (1723-1795) - Overture 'Il re pastore' (1755)

★ Follow music ►   / reciclassicat   Composer: Francesco Uttini (1723-1795) Work: Overture 'Il re pastore' (1755) Performers: Chamber Orchestra of the Drottningholm Theater; Ulf Björlin (1933-1993, conductor) Drawing: Jan Bulthuis (1750-1801) - De Moderne Zaal (1787) HD image: https://flic.kr/p/2nWYG3j Painting: Adolf-Ulrik Wertmüller (1751-1811) - Francesco Antonio Uttini HD image: https://flic.kr/p/2nWDvUd Further info: https://www.discogs.com/es/sell/list?... Listen free: No available --- Francesco Antonio Baldassare Uttini (Bologna, 1723 - Stockholm, 25 October 1795) Swedish-Italian composer. A student of Padre Giovanni Battista Martini, Uttini was nominated as a member in the Accademia filarmonica in Bologna in 1743, thereafter working in local churches until 1752, when he became assistant musical director of the Mingotti troupe. Becoming its maestro di capella in 1755, he lasted only a season before the troupe faced bankruptcy on tour to Sweden. He managed to obtain the post of personal musician to Queen Lovisa Ulrika and remained in the country, eventually being appointed kapellmästare of the Hovkapell in 1757 upon the death of Per Brant. Over the next 15 years he wrote both Italian operas for the Drottningholm court theatre, as well as French opéras comiques for the resident French troupe. In 1773 he composed the inaugural opera for the new Royal Swedish Opera of Gustav III, Thetis och Pelée. This was followed by music for the play Birger Jarl the next year. In 1788 he retired, having relinquished his duties to his deputy Joseph Martin Kraus and guests such as Johann Gottlieb Naumann several years earlier. His son Carlo Gasparo Simone (1753-1808) became a successful actor at the Royal Dramatic Theatre, while another, Adolpho Lodovico (1756-1804), was a contrabass player in the Hovkapell. In all, Uttini composed 23 operas, 17 concert arias, seven symphonies, 18 trio sonatas, two oratorios, five Masses, four Prologues, three divertimentos, 18 keyboard sonatas, two settings of incidental music for plays, 12 songs, and a host of smaller dances and individual movements for keyboard.