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In The Dream Time by Andrew Hosch (1988)

In the rain-veiled reaches of the Pacific Northwest, where the Mossgazers had taken root after the fall of the Glimmerlight, Andrew Hosch settled in Portland, Oregon - far from the better-known enclaves of California and Europe, yet firmly within the network of the Patchoulilight. Like the members of the Eugene Electronic Music Collective who assembled Northwest Passages, Hosch understood that survival in this region required special attunement. His Blue Crystal called him toward listening: to distant traditions, to shifting tonalities, and to the subtle correspondences between sound and place. Through his work in community radio and his immersion in world music, Hosch became receptive to sounds that did not originate in the Glimmerlight alone, but seemed to arrive from more diffuse sources. . . . In 1988, he recorded In The Dream Time, a cassette that reflected his expanded field of perception. The title itself suggested a crossing - into a parallel continuity where sound did not unfold linearly, but circled, echoed, and reappeared as if guided by unseen currents. Drawing upon non-Western tonal systems and electroacoustic textures, Hosch allowed the music to emerge as a kind of listening practice rather than a declaration, aligning closely with the Mossgazer ethos that had stabilized the Northwest in the wake of the Progbarians’ approach. Where Northwest Passages had gathered many voices into a protective veil, In The Dream Time demonstrated that the same protection could be sustained within a single, attentive mind attuned to the wider field. . . . The Sagegazer knows that the distance between worlds is often nothing more than the limit of one’s listening. 0:00 Shadow Dance 6:00 In The Dream Time 12:11 Suite Java 19:33 Buzzard Dance 24:37 Atlantic Crossing 28:24 Kotabaru 34:58 Pulchra 40:54 Life of Plankton 47:09 Egyptian Art 51:46 Aggression