Variazioni sopra la Bergamasca - Marco Cera oboe, mandolin, guitar скачать в хорошем качестве

Variazioni sopra la Bergamasca - Marco Cera oboe, mandolin, guitar

Variazioni sopra la Bergamasca - Marco Cera oboe, mandolin, guitar. In the 16th century, the practice of improvising or composing new melodies above a repeated bass pattern became widely popular, especially in music for the lute, guitar and harpsichord. Some familiar ground bass patterns, or grounds, came to be identified by name. The " bergamasca", used a simple ground built on the scale degrees I-IV-V-I in two bars. Many composers of the baroque era used the Bergamasca ground bass to write their own variations: Marco Uccellini (ca.1603-1680), Giovanni Girolamo Kapsberger (1580-1651), Girolamo Frescobaldi (1583-1643), Bernardo Pasquini (1637-1710) The version I play here is taken by Salamone Rossi (c.1570-c.1630) Sonata Duodecima sopra la Bergamasca from Il Quarto Libro di Varie Sonate. I arranged in a way that the two oboes and two mandolins are having a conversation, trading variations, almost having a fight! I hope you'll enjoy it. Thanks for watching and don't forget to like and subscribe to my channel! Leave a comment please, it means a lot! Check out my Bandcamp: https://mrspeedywax.bandcamp.com​​​​ Instagram: @speedy_wax #baroqueoboe #bergamasca #oboe #baroquemusic