Why Musicians Say 'I Can't Hear Myself' (And What to do about it) скачать в хорошем качестве

Why Musicians Say 'I Can't Hear Myself' (And What to do about it)

#livesound #livesoundengineer #inearmonitors #mixingpixels Ever mixed a show that sounded killer in the room, but the band kept complaining they couldn’t hear themselves in their In-Ear Monitors (IEMs)? It’s one of the most frustrating parts of being a live sound engineer. In this video, we’re diving into the 3 most common reasons musicians struggle with their monitor mixes and how you can fix them fast—without ruining your Front of House (FOH) mix. Whether you’re working on an X32/M32 or any other digital console, these tips will help you manage expectations and fix musicians monitor mix issues. Plus, stick around for a bonus tip on how using showfiles can save you hours of stress at your next gig! In this video, you’ll learn: ✅ How to set expectations with Musicians who use cheap gear ✅ Why Pre-Fader vs. Post-Fader mixes are the "make or break" for IEMs. ✅ How to set a great gain structure ✅ The secret power of Cloning Channels for vocals and bass. ✅ Why your communication skills are just as important as your mixing skills. If you want to stop babysitting monitor mixes and start mixing better shows, this one is for you. 🚀 Subscribe to Mixing Pixels for more real-world live audio tips 🎥 Watch Next from Mixing Pixels: ➡️➡️    • Soundcheck without the Musicians? How to d...   ➡️➡️    • Pre Fader vs Post Fader: Why Your In Ear M...   ➡️➡️    • 4 Pro Tips to FIX the OCCLUSION EFFECT in ...   Chapters: 0:00 The "I Can't Hear Myself" Problem 1:02 Managing Musician Expectations for Cheap Gear 2:33 Why You MUST Use Pre-Fader Mixes 4:06 How To Set Monitor Mix to Pre-Fader on M32/X32 4:57 Gain Structure: The Silent Mix Killer 11:50 The Underrated Secret: Cloning Channels 13:38 Bonus: The Power of Showfiles Safes You Time at the Gig 14:16 Soft Skills: Don't Be "That" Engineer 14:58 Final Thoughts & Great Sound