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With the Denim Tears pop up buzzing in the background, TheStockroom has a conversation with the multi-layered and sometimes polarising individual that is Tremaine Emory, a man that isn't always seen but his work is always felt. We talk about Denim Tears being used as a vehicle to tell black stories, the controversy around his time at Supreme and the importance of his family in encouraging his journey. Make sure you have a note pad and pen, you're about to hear some gems! Social Media Handles from left to right: Eman: / emansgram_ Michael: / them1show Tremaine Emory: / tremaineemory Bolu: / boluthebear Be sure to let us know your thoughts! For all enquiries email us on: [email protected] #denimtears #tremaineemory #thestockroomuk Chapters 00:00 - Host Intros 01:20 - Why are we called TheStockroom and how that ties in with beginnings in retail 04:59 - Tremaine’s Spotify Wrapped / How music ties In with his creative process 08:53 - What inspired ‘The War Report’ collection and the importance of London to Tremaine 10:50 - Balancing Denim Tears with consulting & making collections with others 12:00 - What’s On Foot? 14:40 - Why did Denim Tears use Clint, Slawn & Motherland for the campaign? 19:50 - The importance of working with authentic people 25:30 - Tremaine on imposter syndroome, the importance of treating people well and the switch from customer to collaborator 31:36 - Do you enjoy life more now? 34:49 - How important were Tremaine’s parents in supporting his creative journey 39:55 - How does Tremaine remain hungry and grounded in spite of his success 43:40 - Tremaine talks about his departure from Supreme 45:10 - The importance of discourse, systemic racism and the use of Arthur Jafa’s art 52:34 - Tremaine talks about the venue choice for the pop 54:04 - What things interest and inspire Tremaine and how does he cross-pollinate? 59:10 - Tremaine’s opinion on the term ‘streetwear’ 1:03:54 - Tremaine signs TheStockroom Air Force 1 & talks about watching TheStockroom with his wife prior