Impromptu Accordion Mini-Tutorial with Joseph Macerollo - in UHD 4K скачать в хорошем качестве

Impromptu Accordion Mini-Tutorial with Joseph Macerollo - in UHD 4K

You’ll enjoy this laid-back, entertaining selection of philosophy and playing techniques for the advanced accordionist, presented by Joseph Macerollo . . . (more) At the intermission of one of his intimate concerts with GitBaAc (named for Guitar, Bass and Accordion), Joseph took the opportunity to hold this casual little tutorial, while band mates Lew Mele and Bill Bridges took a break. Quickly (but not quick enough) we changed lenses from trio to solo composition: you’ll see that there’s a bit less than a minute of audio-only at the beginning of the video. - - “I walk onto the concert stage holding an Accordion: Strike one against me. For over an hour I perform contemporary works: Strike two against me. Time and time again I face this challenge with fierce determination, seeking at least a base hit each time.” ACCORDIONISTS, in all likelihood, do not suffer from persecution complexes more than any other group of normal citizens, but every now and then, when you hear one of them wondering in bewilderment why the accordion has not shaken its image as a cornball instrument, in the other-wise chic world of modern keyboards, you sense the frustration that many of this lot must occasionally feel, along with the humor that helps them cope with the situation. Take Joseph Macerollo, one of the most respected figures in the progressive fringe of the accordion community. On the liner notes to his album Interaccodinotesta, this internationally-acclaimed artist, this veteran of recitals and performances with a long list of contemporary chamber ensembles, was moved to write the lines that hang like a despairing cloud above. Seldom has a baseball metaphor been given such a glum application… You can continue reading the above article by Matthew Clark of Keyboard Magazine, at this link: https://www.josephmacerollo.com/newsp... JOSEPH MACEROLLO: AN ANNOTATED DISCOGRAPHY Hart House Orchestra (performing Surdin’s Concerto No. 1 for accordion and string orchestra), Radio Canada International, RCI-238. lnteraccodinotesta (performing Pentland’s Interplay for accordion and string quartet, with the Purcell String Quartet, Shafer’s La Testa d’Adriane with soprano Mary Morrison, Krenek’s Acco-Music, and Nordheim’s Dinosaurus for accordion and tape), Melbourne, SMLP 4034. Joe Macerollo, Free-Bass Accordion (performing Surdin’s Serious I, II, & V, movements from Wuensch’s Mini-Suites, Dolin’s Sonata, and Fiala’s Sinfonietta Concertata for accordion, harpsichord, and string orchestra, with the McGill Chamber Orchestra), Radio Canada International, RCI-385. Shafer-Loving/Toi (an audio-visual tone poem for soprano, three mezzo-sopranos, two or three speakers, dancers, chamber orchestra, tape, and accordion), Melbourne, SMLP 4035-6. Joseph is the Recipient Of “Lifetime Achievement Award” from the Toronto Musicians’ Association. He continues to break new ground with the accordion, and travels widely to perform and to present Master Classes. Lew Mele on bass, and Bill Bridges on guitar, and Joseph on accordion, comprise the genre-defying trio GitBaAc. Please subscribe to our channel to hear more of their work together, as we release additional live performance films. ABOUT THE VENUE: This was filmed at Toronto’s Musideum, a unique museum, world-music instrument shop, and performance space operated by composer and multi-instrumentalist Donald Quan: https://en.wikipedia.org/wiki/Donald_... - - Film and post production services by Inspire Inc. Live HD and 4K performance, narrative drama and corporate films:    • Schmidt Piano Concerto No. 3 for piano & s...     / 1nspireinc