Listen to me Sing | Surreal Stop Motion Animation скачать в хорошем качестве

Listen to me Sing | Surreal Stop Motion Animation

A downtrodden hotel performer finds her most primal self when she falls in love with a walrus. A selection of Short of the Week, the web's leading curators of quality short films. SUBMIT A FILM: https://www.shortoftheweek.com/submit/ FULL REVIEW: https://www.shortoftheweek.com/2021/1... Subscribe to S/W on YouTube! Website: http://www.shortoftheweek.com Instagram:   / shortoftheweek   Facebook:   / shortoftheweek   Twitter:   / shortoftheweek   Listen to me Sing Directed by Isabel Garrett https://www.isabel-garrett.co.uk/ "The National Film and Television School has a reputation for creating some of the best stop-motion shorts around – BAFTA-winners Edmond, A Love Story and Poles Apart are a testament to this. Attending the school’s grad show every year, you’re guaranteed to discover at least one standout stop-motion, in 2019 that film was Isabel Garrett’s Listen to me Sing. Set in an isolated, rundown hotel, the story follows entertainer Sophie (in a similar state) as she struggles to find her place in a confusing world. That is until a walrus mysteriously appears in her bathtub one night and she forms an unexpected bond with it. As the hotel’s guests instantly become obsessed with the tusked creature, our downtrodden protagonist realises she is its only hope of being rescued – cue one of the most memorable final scene I’ve seen in some time. As that brief description probably points out, Listen to me Sing is based around a surreal storyline and as expected the inspiration for this came from an equally surprising place – humanity’s separation from the natural world and Garrett’s time working in a service station: “We’re living in a time where we exist very separately from the natural world, and I think this affects us a lot more than we realise”, the director explains. “I wanted to make a film about a sort of abstract symbiosis between a woman and animal, where the two sides; civilised and primal, are represented in physical form, eventually merging together”. As if the premise isn’t strange enough, the film’s setting works to amplify the dreamlike nature of Listen to me Sing with the hotel’s unusual location and decor inspiring more questions regarding exactly what is going on here. As previously mentioned, the hotel is based on a service station where Garrett used to work and she cites their “transient and lonely” feel as inspiration, describing them as “a strange meeting ground where anything goes”. We’re always looking for novel approaches to storytelling here on Short of the Week and Listen to me Sing certainly ticks those boxes. The impact of the storyline will very much depend on your personal tastes and I could understand if some found it too abstract. However, the one element of production that doesn’t feel like it’s up for debate is the short’s impressive craft. Aiming to create a “soft, tactile feeling to the world”, the character and set design mean however odd this universe truly is, you totally buy into it for the 11-minute duration of the film. The attention to detail in both is incredible, from the spots/freckles on Sophie’s face to the name tags of the employees, it feels like creating the world of Listen to me Sing was a real labour of love and it’s certainly important when it comes to the impact and enjoyment the short delivers. Despite the surreal approach to its storytelling Garrett’s film works because of the emotional attachment you form to both Sophie and the Walrus. Even if you don’t quite understand what’s going on (Sophie’s stage act is surely one the weirdest ever committed to screen), you understand their struggles and you support their efforts to break free of the chains (figurative and literal) holding them back. As their orchestral roars blend together at the end, there might even be something primal within you that wants to roar along with them – or was that just me?" - S/W Curator Rob Munday Isabel Garrett - Director Emily Everdee - Producer Rosamund Attwood – Writer Isabel Garrett & Lydia Rynne- Co-writers Daniel Morgan - Cinematographer Tessa Flanagan - Production Designer Chloe Hardwick – Editor Stephanie Taylor - Composer Adam Shuttleworth - Sound Designer Joseph Bicknell – Colourist Cecile Ceppi – Lead Compositor Roxana Loncea- Lead VFX Ysabel King- Compositor Nicola Borsari - Compositor Megan Randle – Production Manager Alana O’Neill- Production Coordinator Holly Mann- Production Assistant Rich Farris – Assistant Animator Daisy May Collingridge- Puppet Design Alex Glenfield- Vocal Performances Martin Nice- Art Director Milly White- Standby Art Director First AD- Stephanie Bradshaw Production Assistants- Imogen Arthur Oliver Arnell Argles Behind-the-Scenes- Carl Ward- Reid Puppets: Daisy May Collingridge Isabel Garrett Oliver Arnell Argles Alastair Fleming Lisa Ott Reproduced on this channel with the permission of the filmmakers.