【BeatSaber Official | Zen Mode】Free Bird - Lynyrd Skynyrd скачать в хорошем качестве

【BeatSaber Official | Zen Mode】Free Bird - Lynyrd Skynyrd

Enjoy! Some deep details about the lightshow! Was done in 4 days. About 130,000 light events Because of the limited time, I decided to put most effort in the first half of the song instead of the second half. This is because the notes carry the latter half of the chart (they hold the player's attention more), and so for the solo I focused on strong peripheral effects, yet for the slower first half I focused on emphasizing the legendary status the song has. -The song is notorious in other rhythm games where the first half can be boring and the second half is the standout. I know I can't impact this, but what I can do is make the first half more memorable within our game, hence the singing and guitar jammin' rock god in the back! Did you notice the rock god's blinking? And closing his eyes for those epic vocal and guitar moments? :D The sectional movements for the rock god are completely manually controlled/animated. Every single rotation and movement is keyframed for all 17 individual pieces. I'm a sucker for putting pitch matched lights in, did you spot them all in this lightshow? they are everywhere! The 'laser pointer' effect (red lights on the mountains) particularly took a long time. The first time the red lasers show up, they are each following a square movement pattern from a 'birds eye view'. It give's this cool compression effect i was happy with. The groovin' spikes went through several revisions to give them that rubber/bouncy look. A lot of the red/orange colouring (and purple/blue respectively) in the solo are specifically remembered and assigned to the lead and rhythm guitars respectively, trying to give off this small vibe that it's 2 lightshows playing at once, weaving into each other. With more time I would have made this design choice much more impactful. The laser 'explosions' in the intense last part of the solo and the purple spike guitar solo half way through are matched to the wall dodge moments so that the walls never block the lightshow, but instead show up between walls in the peripheral view of the player :) The amount of strings that light up in the first half of the song (the strumming acoustic guitar), is matched to the volume output of the song's waveform. Higher peak = more strings light up. (Manually done). My favorite part is the Laser Cross that forms at 6:14, and then when the screens break apart at 6:38. It was an effect I had in my mind when we were designing the environment, and was super happy it came to fruition. The rock god's sectional limbs being used for lights on the side of the final guitar section (from 7:24) is an attempt to imitate a train of all things (because of the sound of the drums). You can see the equalizer at the bottom of the screen in the lightshow during this section where it looks like a little 'train' is moving across. CHOO CHOO I specifically held off using the 'wing lasers' so i could exclusively use them at 4:45 to make them stand out more/be more memorable against the song theme. If you read all this, let us know what you think, and if you have any questions, don't hesitate! :)