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Jean-François Tapray (1738-1822) was a French composer. (The portrait in the thumbnail is not actually Tapray, but AI generated. I was not able to find any real depictions of the composer.) Wikipedia (French): https://fr.wikipedia.org/wiki/Jean-Fr... IMSLP: https://imslp.org/wiki/Category:Tapra... Movements: 0:00 - I. Allegro moderato. 8:36 - II. Andante 13:15 - III. Allegro assai Here's a full list of all the Tapray concertante pieces I am aware of: Op. 1 - Six Keyboard Concertos (recorded, not mine): • 6 Keyboard Concertos Op.1 By Jean-François... Op. 3 - Symphony Concertante for harpsichord and orchestra (not available) Op. 8 - Symphony Concertante for harpsichord, piano and orchestra: • Jean-François Tapray; Harpsichord and Pian... Op. 9 - Symphony Concertante for harpsichord, piano, violin, and orchestra: (You're listening to it) Op. 12 - Symphony Concertante for harpsichord and orchestra: • Jean-François Tapray; Two Concertos in G, ... Op. 13 - Symphony Concertante for harpsichord, piano and orchestra: • Jean-François Tapray; Harpsichord and Pian... Op. 15 - Symphony Concertante for harpsichord, piano and orchestra: • Jean-François Tapray; Two Concertos in G, ... Op. 21 - Two Symphonies for harpsichord and orchestra (not available) This is a remaster of my first concerto of Tapray's - I have since done 4 others, making him one of the most frequently featured composers on the channel. In addition to improving on the audio from my first rendition, I have made some editorial changes. First, I corrected a naive mistake I made several times early on, where I simply faithfully transcribed all the notes as written in the score, without taking into account that many scores include an orchestral reduction in the solo parts so this can easily be played as a trio. So in this version I've silenced the soloists during the tutti sections. But that did make a few stretches sound a bit sparse, so I made another alteration that I've done on some older works, by augmenting the orchestra, which originally consisted of just strings and 2 horn parts, by adding a wind section comprising 2 each of flute, oboe, and bassoon. (No clarinets as they would not have been in common use yet.) The cadenza in the 3rd movement is once again my own work, only slightly altered from my first rendition. I've also made some tempo alterations, mostly slowing down the 2nd movement, but also adding some dramatic rallento's at the end of certain sections. I've also redone the visuals for this version. Much as I prefer to use the original manuscript when possible, it's just not feasible for a concerto with 3 soloists. So the first time I did this, I used the full orchestral score as rendered by my editing software (Mozart at the time). This time, partly due to the increased size of the orchestra, I've rendered out just the soloists, with small notes indicating the orchestra reduction during the tutti sections. I think this makes it somewhat easier to follow along with. Disclaimer: Yes, it's synthesized. Obviously real musicians with real instruments would be vastly superior, but this simulated performance is better than nothing at all, which is what existed previously. My greatest wish is that these videos will inspire someone with the means to arrange a real performance and hopefully record and publish it so we can hear them in their full glory. If that someone is you, or you know of an existing recording of this, please let me know and I may add a link to this description.