Chelsea Fralick: Artifactual Excess: Wallace Berman's Aleph (1956-66) and Filmic Destruction скачать в хорошем качестве

Chelsea Fralick: Artifactual Excess: Wallace Berman's Aleph (1956-66) and Filmic Destruction

Presented in partnership with Washington University in St. Louis, this free, one-day symposium used CAM’s exhibitions on the work of Joe Goode and Jesse Howard as a point of departure. Joe Goode and Jesse Howard: Thy Kingdom Come offer unique views of the Midwest, providing a framework for scholars to present research on topics such as the lived Midwestern experience, materiality and the monochrome, and self-taught American aesthetics. Moderated by CAM’s Chief Curator Jeffrey Uslip and Ila Sheren, Assistant Professor of Art History and Archaeology at Washington University in St. Louis. Chelsea R. Behle Fralick is an art historian, adjunct professor, and freelance writer/editor based in San Diego, California. She currently serves as adjunct faculty at the University of San Diego and UC San Diego Extension, where she teaches California art history of the twentieth and twenty-first centuries, modern architecture, senior thesis writing, and a range of period courses in Western art history. Behle Fralick has researched and written on topics related to California Beat art and film—including her recent book chapter “Musical & Magical Counterpoint: Language, Sound and Vision in Wallace Berman’s Aleph, 1956–66” in the volume The Global Sixties in Sound and Vision (Palgrave MacMillan, 2014)—as well as on subjects from California performance and video art to modern and contemporary architecture and art of the public sphere. She received her BA in art history with an emphasis in public art and architecture from the University of San Diego and a master of science in architectural studies from the School of Architecture at the Massachusetts Institute of Technology.