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Françoise Vergès discusses her wide-ranging decolonial feminist scholarly activism in conversation with Ros Gray and Shela Sheikh, who (with Jennifer Gabrys) commissioned the Planetarities book series for Goldsmiths Press. In Making the World Clean: Wasted Lives, Wasted Environment, and Racial Capitalism, Vergès examines the racial and gendered politics of wasting lands, bodies, and resources and the organized deprivation of clean water, shelter, and access to health services—in other words, the structural denial, along racial lines, of vital needs. She looks at the social relations that have made cleaning into drudgery and into a racialized, gendered, poorly paid job that is nevertheless necessary for any society to function. She concludes with the proposition of a feminist, decolonial, antiracist, anti-patriarchal, and anti-capitalist politics of cleaning. Or, simply put, of “decolonial cleaning.” In A Programme of Absolute Disorder, Vergès questions the idea of the universal museum. Exploring the Louvre's history, she uncovers the context in which the universal museum emerged: as a product of colonialism, and of Europe's self-appointed claim to be the guardian of global heritage. Vergès outlines a radical horizon: to truly decolonize the museum is to implement a 'programme of absolute disorder', inventing other ways of apprehending the human and non-human world that nourish collective creativity and bring justice and dignity to the dispossessed. Françoise Vergès (Reunion Island-France) is currently Senior Fellow Researcher at the Sarah Parker Remond Centre for the Study of Race and Racialization, University College London. A co-founder of the collective “Decolonize the Arts” (2015–2020), she is the curator of decolonial visits in museums and L'Atelier, a workshop and public performance with artists and activists. She is interested in the racial fabrication of ‘premature death’, the multiple practices of resistance and South–South circulations of theories and cultural forms. She writes books and articles on the afterlives of slavery and colonization, climate catastrophe and racial capitalocene, the impossible decolonization of the western museum, decolonial feminism, psychiatry, and the ‘post-museum. Her publications include: Making the World Clean: Wasted Lives, Wasted Environment, and Racial Capitalism (2024), A Programme of Absolute Disorder: Decolonizing the Museum (2024), A Decolonial Feminism (2021), The Wombs of Women: Race, Capital, Feminism (2020), and Resolutely Black: Conversations with Françoise Vergès, with Aimé Césaire (2020). She has written documentary films on Maryse Condé (2013) and Aimé Césaire (2011) and was a project advisor for documenta11 (2002) and the Triennale de Paris (2011).