CRASS ~ Video Footage - SHAVED WOMEN скачать в хорошем качестве

CRASS ~ Video Footage - SHAVED WOMEN

Video montage I put together with the 7" vinyl single track. Horizontal collaboration (French: Collaboration horizontale, collaboration féminine or collaboration sentimentale) referred to the romantic or sexual relationship many women in France had or allegedly had with members of the German occupation forces after the Fall of France in 1940. The existence of these liaisons had been a major reason for young men to join the French Resistance. After the Liberation of France from German occupation, such women were often punished for collaboration with the German occupiers. After the war, throughout France, women accused of collaboration had their heads shaved. These women were referred to as "femme tondue" (shaven women) and were easily identifiable. In many of the 20,000 cases, the women in question had performed only professional services for the occupying Germans, rather than being engaged in sexual relationships with them. Due to the head-shaving in public spaces being used to punish women thought to be collaborators, and the presence of many foreign photographers in post-war France, thousands of photos exist of women being subjected to this punishment. "Collaboration horizontale" is believed to have produced 200,000 French babies with German fathers. Since 2009 Germany has offered these children of "the other bank of the Rhine" citizenship, after French foreign minister Bernard Kouchner lobbied for their recognition. The same phenomenon and later punishments occurred in other parts of Europe that were occupied by Germany during the war. Crass were an English art collective and punk rock band formed in Epping, Essex in 1977, who promoted anarchism as a political ideology, a way of life, and a resistance movement. Crass popularised the anarcho-punk movement of the punk subculture, advocating direct action, animal rights, feminism, anti-fascism, and environmentalism. The band used and advocated a DIY ethic approach to its albums, sound collages, leaflets, and films. Crass spray-painted stencilled graffiti messages in the London Underground system and on advertising billboards, coordinated squats and organised political action. The band expressed its ideals by dressing in black, military-surplus-style clothing and using a stage backdrop amalgamating icons of perceived authority such as the Christian cross, the swastika, the Union Jack, and the ouroboros. The band was critical of the punk subculture and youth culture in general; nevertheless, the anarchist ideas that they promoted have maintained a presence in punk. Due to their free experimentation and use of tape collages, graphics, spoken word releases, poetry, and improvisation, they have been associated with avant-punk and art punk. The band was based around an anarchist commune in a 16th century cottage, Dial House, near Epping, Essex, and formed when commune founder Penny Rimbaud began jamming with Steve Ignorant (who was staying in the house at the time). Ignorant was inspired to form a band after seeing The Clash perform at Colston Hall in Bristol, whilst Rimbaud, a veteran of avant garde performance art groups such as EXIT and Ceres Confusion, was working on his book Reality Asylum. They produced "So What?" and "Do They Owe Us A Living?" as a drum-and-vocal duo. They briefly called themselves Stormtrooper before choosing Crass in reference to a line in the David Bowie song "Ziggy Stardust" ("The kids were just crass"). Other friends and household members joined (including Gee Vaucher, Pete Wright, N. A. Palmer and Steve Herman), and Crass played their first live gig at a squatted street festival in Huntley Street, North London. They planned to play five songs, but a neighbour "pulled the plug" after three. Guitarist Steve Herman left the band soon afterwards, and was replaced by Phil Clancey, aka Phil Free. Joy De Vivre and Eve Libertine also joined around this time. Other early Crass performances included a four-date tour of New York City, a festival gig in Covent Garden and regular appearances with the U.K. Subs at The White Lion, Putney and Action Space in central London. The latter performances were often poorly attended: "The audience consisted mostly of us when the Subs played and the Subs when we played". Crass played two gigs at the Roxy Club in Covent Garden, London. According to Rimbaud, the band arrived drunk at the second show and were ejected from the stage; this inspired their song, "Banned from the Roxy", and Rimbaud's essay for Crass' self-published magazine International Anthem, "Crass at the Roxy". After the incident the band took themselves more seriously, avoiding alcohol and cannabis before shows and wearing black, military surplus-style clothing on and offstage. #punk #anarchy #punkrock