Sunday Special live Riyaz session with Yash Dewale Raag Ahir Bhairava (14/04/2024) скачать в хорошем качестве

Sunday Special live Riyaz session with Yash Dewale Raag Ahir Bhairava (14/04/2024)

Ahir Bhairav is a Hindustani classical raga. It is a mixture of Bhairav and the ancient, rare raga Ahiri or Abhiri, or perhaps a mixture of Bhairav and Kafi. Theory Arohana and avarohana Arohana: S Ṟ G M P D Ṉ Ṡ[a] Avarohana: Ṡ Ṉ D P M G Ṟ S[b] Key: S, G, M, P, D: shuddha (natural); r, n : komal (flat); Pa and Sa are sometimes avoided in ascending Arohan. The descent can be direct, but is often expressed as S' N d P m, G m Gr ~ S with a slight oscillation on komal re to express the character of Bhairav.[1] Vadi and samavadi Vadi: M Samavadi: S Pakad or Chalan S, r G M, G M r, ṇ Ḍ, ṇ r S | komal Ni, shuddha Dha, komal Ni, komal Re, Sa | is the most characteristic run, where the Ni and Dha belong to the lower octave and the Re and Sa are from the middle octave. Some andolan/oscillation is typically at the flattened second (komal re). Organization and relationships It may include impressions of Kafi. The image of Ahir Bhairav is easily maintained with the characteristic passage ṇ Ḍ ṇ/r~ S[1] with the characteristic Bhairav andolan (oscillation) on komal re. Sometimes shuddha ni is used in the lower octave to emphasize the Bhairav character.[3] The Carnatic music equivalent to this raga is Chakravakam. Related ragas: Bhairav Nat Bhairav Thaat: Bhairav Behaviour Ahir Bhairav is a typical uttarang raga, which means emphasis is on the upper tetrachord. Theory Carnatic music Chakravakam, the 16th Melakarta raga of Carnatic music, which is a sampurna scale (all seven notes in ascending and descending scale), closely resembles Ahir Bhairav.[5] However, in the modern times Ahir Bhairav raga has been used in a few Carnatic music compositions and many South Indian film songs as well. Notes Alternate notations: Carnatic: S R₁ G₃ M₁ P D₂ N₂ Ṡ Western: C D♭ E F G A B♭ C Alternate notations: Carnatic: Ṡ N₂ D₂ P M₁ G₃ R₁ S Western: C B♭ A G F E D♭ C Arohana: S Ṟ G M P D Ṉ Ṡ[a] Avarohana: Ṡ Ṉ D P M G Ṟ S[b] Key: S, G, M, P, D: shuddha (natural); r, n : komal (flat); Pa and Sa are sometimes avoided in ascending Arohan. The descent can be direct, but is often expressed as S' N d P m, G m Gr ~ S with a slight oscillation on komal re to express the character of Bhairav.[1] Vadi and samavadi Vadi: M Samavadi: S Pakad or Chalan S, r G M, G M r, ṇ Ḍ, ṇ r S | komal Ni, shuddha Dha, komal Ni, komal Re, Sa | is the most characteristic run, where the Ni and Dha belong to the lower octave and the Re and Sa are from the middle octave. Some andolan/oscillation is typically at the flattened second (komal re). Organization and relationships It may include impressions of Kafi. The image of Ahir Bhairav is easily maintained with the characteristic passage ṇ Ḍ ṇ/r~ S[1] with the characteristic Bhairav andolan (oscillation) on komal re. Sometimes shuddha ni is used in the lower octave to emphasize the Bhairav character.[3] The Carnatic music equivalent to this raga is Chakravakam. Related ragas: Bhairav Nat Bhairav Thaat: Bhairav Behaviour Ahir Bhairav is a typical uttarang raga, which means emphasis is on the upper tetrachord.