У нас вы можете посмотреть бесплатно 5-String Bass Exercises with TAB for Five String Bass - Bass Practice Diary - 29th September 2020 или скачать в максимальном доступном качестве, видео которое было загружено на ютуб. Для загрузки выберите вариант из формы ниже:
Если кнопки скачивания не
загрузились
НАЖМИТЕ ЗДЕСЬ или обновите страницу
Если возникают проблемы со скачиванием видео, пожалуйста напишите в поддержку по адресу внизу
страницы.
Спасибо за использование сервиса ClipSaver.ru
Find more at https://johnnycoxmusic.com/ 5-String Bass Exercises - Three Exercises with Five String Bass TAB - Bass Practice Diary - 29th September 2020 Here are three exercises that you can use on 5-string bass. These are typical of the kind of exercises that I play when I'm adjusting to playing a 5-string bass, especially if I haven't played one for a while. If you follow my Bass Practice Diary videos regularly, then you know that I play 4-string and 6-string basses a lot. It's easy to trip up on a 5-string bass when you've grown accustomed to playing four or six. A few exercises like this, when you start, will really help you to get used to the feel and the range of the instrument. Even if you always play 5-string bass, and you're looking to improve your fluency around the fretboard. These kind of exercises are great for that too. Exercise 1: Playing Across All Five Strings In the first exercise, I'm simply thinking about arpeggiating two chords. Dm7 and A7(b9). The exercise starts by going up the notes of a D minor 7 arpeggio. Then it comes down on the A7(b9). I'm relying heavily on the notes of a C#dim7 arpeggio for the A7(b9) chord. The notes C#, E, G and A# are the 3rd, 5th, 7th and b9th of the A7 chord. In the second bar I've substituted an Fmaj7 arpeggio for the Dm7 chord. The notes of the F major chord are the 3rd, 5th, 7th and 9th of the Dm7 chord. Exercise 2: Using the Entire Range of the Bass In the second exercise, I'm simply playing a C major scale over the entire range of my 5-string bass neck. This is such a fundamental exercise on any instrument. I don't think of it as playing a C major scale. I think of it as learning the notes in the key of C major. The whole of Western harmony is built around this key. You can think of it as learning all the white notes on a piano, but really it's just learning where the notes A, B, C, D, E, F & G are. If you know where they are then you can easily work out where the sharps (#) and flats (b) are. And then you know where every note on your bass is. Exercise 3: Playing a Bass Groove Using the Low B-string The final exercise is a bass groove. If anyone says that, "a bass groove isn't an exercise, it's music", then I think that they need to re-think the way that they practice. To me, every piece of music that I play is an exercise, or at least it can be if I think about it in the right way. Exercises exist to help us play music, if there is a disconnect in your mind between the exercises you play and the music you play, then you've missed the point. Every exercise that I play is related to something that I have to use in real musical situations. I understand the relationship between the exercise and the practical application of it. In this particular exercise/groove, I'm working on playing a low Eb on the 4th fret of the B-string, whilst playing in the key of C minor. It's tricky note to hit and it's hard to make it sound good!