У нас вы можете посмотреть бесплатно Giuseppe Verdi - ATTILA - Act I finale: "Parla, imponi" (Raimondi, Bastin, Deutekom, Bergonzi) или скачать в максимальном доступном качестве, видео которое было загружено на ютуб. Для загрузки выберите вариант из формы ниже:
Если кнопки скачивания не
загрузились
НАЖМИТЕ ЗДЕСЬ или обновите страницу
Если возникают проблемы со скачиванием видео, пожалуйста напишите в поддержку по адресу внизу
страницы.
Спасибо за использование сервиса ClipSaver.ru
ATTILA Dramma lirico in 1 prologo e 3 atti Composer: Giuseppe Verdi (1813–1901) Libretto: Temistocle Solera, after Zacharias Werner’s ‘Attila, König der Hunnen’ (1809) First performance: La Fenice, Venice, 17 March 1846 SETTING: Aquileia, the Adriatic lagoons, and near Rome, mid-5th century PLOT: Attila, King of the Huns, marches on Rome, but the apparition of a giant turns him back. He marries Odabella, whose father was killed by the Huns. With the help of her lover Foresto and the Roman general Ezio, Odabella murders Attila. No. 9 – Finale I Scena: ‘Parla, imponi – Chi vien?’ Finale: ‘No! … non è sogno’ Attila has assembled his army to march on Rome., but is stopped by a procession of Christian maidens and children in white, led by the Roman bishop Leo – as Attila saw in his dream. ‘Thou art appointed only as scourge against mankind,’ Leo tells him – the same words Attila heard in his dream. Attila seems to see two giants with flaming swords blocking the path to Rome; he prostrates himself, while his soldiers look on in astonishment and the Christians praise God. Attila, re degli unni / King of the Huns (bass): Ruggiero Raimondi Odabella, figlia del signore di Aquileia / daughter of the lord of Aquileia (soprano): Cristina Deutekom Foresto, cavaliere aquileiese / Aquileian knight (tenor): Carlo Bergonzi Uldino, giovane bretone schiavo di Attila / young Breton slave of Attila (tenor): Ricardo Cassinelli Leone, vecchio romano / an old Roman (bass): Jules Bastin Ambrosian Singers Conductor: Lamberto Gardelli Royal Philharmonic Orchestra London, 1972