Raga Shree | Vidushi Dr. Ashwini Bhide Deshpande | Kaha Me Guru Dhundan & Yeri Huto Aasan скачать в хорошем качестве

Raga Shree | Vidushi Dr. Ashwini Bhide Deshpande | Kaha Me Guru Dhundan & Yeri Huto Aasan

Mesmerizing rendition of Raag Shree by Vidushi Ashwini Bhide Deshpande Live at Delhi. 00:00 - Vilambit Khayal : Kaha Me Guru Dhundan Jaau 46:02 - Drut Khayal : Yeri Huto Aasan ______________________________________________________ Raga: Raga Shree Taal: Teentaal Composition: Kaha Me Guru Dhundan Jaau Yeri Huto Aasan Vocalist: Vidushi Dr. Ashwini Bhide Deshpande Style: Jaipur-Atrauli Gharana Tanpura: Sveta Hattangadi Kilpady Tabla: Pt. Vinod Lele Harmonium: Pt. Vinay Mishra ______________________________________________________ 📝Lyrics: ******** Kaha Me Guru Dhundan Jaau ******* कहा मे गुरू ढुंडन जाऊ ब्रम्हा विष्णू मनाऊ | अपने ही आप मे हिये मे हेरु तो आपमे आपको पाऊ || ************** Yeri Huto Aasan ************** येरी हूँ तो आस न गैली पास न गैली लोगवा धरे मैका नाम | जबसे पियु परदेस गवन कीनो तबते हरिनो दिनो पाँव || ______________________________________________________ About Artists: Dr. Ashwini Bhide-Deshpande: Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai. Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks. ______________________________________________________ No Copyrights own.