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Roy Acuff Roy Acuff and his Smoky Mountain Boys Columbia 37015 Roy Claxton Acuff (September 15, 1903 – November 23, 1992) was an American country music singer, fiddler, and promoter. Known as the "King of Country Music," Acuff is often credited with moving the genre from its early string band and "hoedown" format to the star singer-based format that helped make it internationally successful. In 1952 Hank Williams told Ralph Gleason, "He's the biggest singer this music ever knew. You booked him and you didn't worry about crowds. For drawing power in the South, it was Roy Acuff, then God." Acuff began his music career in the 1930s, and gained regional fame as the singer and fiddler for his group, the Smoky Mountain Boys. He joined the Grand Ole Opry in 1938, and although his popularity as a musician waned in the late 1940s, he remained one of the Opry's key figures and promoters for nearly four decades. In 1942, Acuff co-founded the first major Nashville-based country music publishing company—Acuff-Rose Music—which signed acts such as Hank Williams, Roy Orbison, and The Everly Brothers. In 1962, Acuff became the first living inductee into the Country Music Hall of Fame. Roy Acuff was born on September 15, 1903 in Maynardville, Tennessee[ to Ida (née Carr) and Simon E. Neill Acuff, the third of five children. The Acuffs were a fairly prominent Union County family. Roy's paternal grandfather, Coram Acuff, had been a Tennessee state senator, and Roy's maternal grandfather was a local physician. Roy's father was an accomplished fiddler and a Baptist preacher, his mother was proficient on the piano, and during Roy's early years the Acuff house was a popular place for local gatherings. At such gatherings, Roy would often amuse people by balancing farm tools on his chin. He also learned to play harmonica and jaw harp at a young age. In 1919, the Acuff family relocated to Fountain City (now a suburb of Knoxville), a few miles south of Maynardville.[6] Roy attended Central High School, where he sang in the school chapel's choir and performed in "every play they had." Roy's primary passion, however, was athletics. He was a three-sport standout at Central, and after graduating in 1925, he was offered a scholarship to Carson-Newman, but turned it down. He played with several small baseball clubs around Knoxville, worked at odd jobs, and occasionally boxed. In 1929, Acuff tried out for the Knoxville Smokies, a minor-league baseball team then affiliated with the New York (now San Francisco) Giants.[ A series of collapses in spring training following a sunstroke, however, ended his baseball career prematurely. The effects left him ill for several years, and he even suffered a nervous breakdown in 1930. "I couldn't stand any sunshine at all," he later recalled. While recovering, Acuff began to hone his fiddle skills, often playing on the family's front porch in late afternoons after the sun went down. His father gave him several records of regionally-renowned fiddlers, such as Fiddlin' John Carson and Gid Tanner, which were important influences on his early style. In 1932, Dr. Hauer's medicine show, which toured the Southern Appalachian region, hired Acuff as one of its entertainers. The purpose of the entertainers was to draw a large crowd to whom Hauer could sell medicines (of suspect quality) for various ailments.] While on the medicine show circuit, Acuff met legendary Appalachian banjoist Clarence Ashley, from whom he learned "The House of the Rising Sun" and "Greenback Dollar", both of which Acuff later recorded. As the medicine show lacked microphones, Acuff learned to sing loud enough to be heard above the din, a skill that would later help him stand out on early radio broadcasts. In 1934, Acuff left the medicine show circuit and began playing at local shows with various musicians in the Knoxville area. That year, guitarist Jess Easterday and Hawaiian guitarist Clell Summey joined Acuff to form the Tennessee Crackerjacks, which performed regularly on Knoxville radio stations WROL and WNOX (the band moved back and forth between stations as Acuff bickered with their managers over pay). Within a year, the group had added bassist Red Jones and changed its name to the Crazy Tennesseans after being introduced as such by WROL announcer Alan Stout. Fans often remarked to Acuff how "clear" his voice was coming through over the radio, important in an era when singers were often drowned out by string band cacophony. The popularity of Acuff's rendering of the song "The Great Speckled Bird" helped the group land a contract with the ARC, for whom they recorded several dozen tracks (including the band's best-known track, "Wabash Cannonball") in 1936. Needing to complete a 20-song commitment, the band recorded two ribald tunes—including "When Lulu's Gone"—but released them under the pseudonym of "the Bang Boys". The group split from ARC in 1937 over a separate contract dispute.