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Shinichiro Watanabe and The Two-Shot Dynamic

Creating implications from imagery has always been an interesting facet to filmmaking, especially in animation, where the details are more often than not expressed differently. A well-known method in animation typically involves the visual exaggerations posed in facial expressions, or body expressions. But this video seeks to explore from directors like Shinichirō Watanabe, who employs a considerably more subtle, perhaps even unorthodox take on this characterization, that relies less on exaggerations and more on staging, blocking, and the environment to establish a character dynamic between two characters, in a style that I call the Two-Shot Dynamic. Made for educational purposes. Non-commercial. If you liked this video, please give me a comment! I have enjoyed seeing your thoughts on different artistic takes and would love to interact with more of you. All referenced music and film are located in the end of the video. If you'd like you can follow me on Twitter @thecollegedebt --- Recommended Viewing: DP/30: True Grit, cinematographer Roger Deakins:    • DP/30: True Grit, cinematographer Rog...   Hirokazu Kore-eda on "The Third Murder" (2017): https://reelmoviemondays.ca/interview... Hirokazu Kore-eda on "Our Little Sister" (2016):    • Japanese director Hirokazu Kore-eda o...   I find inspirations more on how they think, rather what they say. It gives an interesting insight to how people treat certain subject matters, and apply it to the frame.