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From the album ‘Charlie Parker with Strings’, recorded in July of 1950. Featuring Charlie Parker - alto saxophone; Joseph Singer - french horn; Eddie Brown - oboe; Sam Caplan, Howard Kay, Harry Melnikoff, Sam Rand, Zelly Smirnoff - violins; Isadore Zir - viola; Maurice Brown - cello; Verley Mills - harp; Bernie Leighton - piano; Ray Brown - double bass; Buddy Rich - drums; Joe Lipman - arranger and conductor; unknown xylophone and tuba. The JGC History series features specifically curated playlists to help trace the lineage of some of the most influential jazz compositions of all time. Join me on Patreon for Lead Sheets, Play-Alongs, Transcriptions, Lessons and much more: / jazzguitarcomprehensive Some notes about the composition as found on https://www.jazzguitarcomprehensive.com/ Composer: David Raksin Lyricist: Johnny Mercer Year: 1944 Origin: Introduced as an instrumental in the 1944 film Laura. Style: Often performed as a ballad. Form: A-B-A-C (32 Bars) [8-8-8-8] Key: Most commonly played in C Major. Harmony/Overview: The harmony of this composition is very functional, made up mostly of II - V - I's. The A sections begin by stating the main theme over a II - V of V before repeating the exact same phrase transposed down a whole step. The B section begins with a II - V of bIIIMaj7 and continues with a minor II - V to VMaj7. The final C section begins similarly to B, although the bassline continues downward leading to a minor II - V to IMaj7. In the 5th bar of the C section the melody lands on the b9 of II7, and a commonly used reharmonization at this point is to play a chromatic II - V from above (II - V of bII) before using a final II - V to resolve to the tonic. The melody works well with both sets of changes and both treatments have come to be equally as common in practice. Recordings: This song has been recorded over 450 times to date. It was first introduced as part of the instrumental score in the 1944 film Laura. Johnny Mercer would later add lyrics, and Woody Herman was the first to record the new adaptation with his Orchestra in 1945. The piece managed to find its way in the repertoire of many leading jazz bands of the day from the likes of Boyd Raeburn, Gene Krupa, and Duke Ellington to name a few. Countless jazz musicians have recorded the composition since. JGC Top Picks: Julie London, Julie Is Her Name, 1955 Bill Evans, A Simple Matter of Conviction, 1966 Frank Rosolino, Thinking About You, 1976 Please consider supporting this channel through a donation, https://www.paypal.com/paypalme/jazzg... You can also support me on Patreon for much more musical content, / jazzguitarcomprehensive Be sure to subscribe to my main channel: / @jazzguitarcomprehensive As well as my second channel for Play-Alongs and Loops: / @jgcplayalongs The World's Premier Site for Jazz Guitar Education and Beyond https://www.jazzguitarcomprehensive.com/ DISCLAIMER: This video has been uploaded for educational purposes and is protected under fair-use. This channel will never be monetized and any ads are run solely on behalf of the rightful copyright owner. #CharlieParker #Laura #JazzHistory