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Composer: Wolfgang Amadeus Mozart Violinist: Rémy Baudet Harpsichordist: Pieter-Jan Belder Composed 1764. A historically informed performance, played on period instruments and using authentic musical styles faithful to the era. I do not own this audio. 0:00 I. Allegro spiritoso. 3:58 II. Andante. 9:52 III. Menuet I and II. Mozart composed his first four sonatas (K. 6–9) when he was 6 to 8 years old. Hence, it is believed by many that it was written down for the boy by his father, Leopold: all four of these early sonatas are preserved in Leopold's handwriting. This set of sonatas encompass several of Mozart's firsts as a composer. For example, it was his first work incorporating the violin, his first work with more than a single instrument, his first work in more than one movement and his first work in sonata form. In fact, previous to this, all his works had been short solo-pieces for the harpsichord. All of Mozart's early violin sonatas are really keyboard sonatas with violin accompaniment, a fact which is made clear from the original title of the four sonatas K. 6–9: "Sonates pour le clavecin qui peuvent se jouer avec l'accompagnement de violon" [Sonatas for the harpsichord, which may be played with violin accompaniment]. It is quite legitimate, therefore, to perform these works on a keyboard alone. In composing these early sonatas, Mozart may have been influenced by the German keyboard player and composer Johann Schobert, who was living and working in Paris when the Mozarts arrived there in November 1763. Schobert, in fact, had already published a number of keyboard sonatas with violin accompaniment, which possibly served as models for the young Mozart. Composed and published in 1764 in Paris as Op. 2, No. 2. In his Violin Sonata No. 4 in G Major, K. 9, Mozart reused a melody from the minuet in the slow movement of the Symphony in D, K. 95/73n (sometimes labelled as No. 45).