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In a recent video by Curtis Judd talking about the Zoom F6's line out noise issue, • Zoom F6 Line Out Issue & Workaround , he proposed 2 workarounds for the problem. Using a Line to mic attenuator cable, or setting your camera to line level input and running the output at line level. However, if you don't have a camera with a line in, and you don't have an attenuator cable (yet), you're not completely out of luck. You can get acceptable results by running the lowest possible gain on your camera, and the least amount of attenuation on the F6 while still using a standard TRS patch cable. Just how acceptable? In reviewing the audio that I recoded for this video, the noise floor in my recording environment was clearly the limiting factor. Both the camera recorded line out scratch audio and the F6's internally recorded 32-bit float audio recorded in the F6 had nearly the same dynamic range used (~ 46.5 dB), nearly the same peak loudness (~ -3.2 dB), and minimum RMS ( -64 dB for the camera, -62dB for the internal file). The differences being entirely within margin of error for how I matched the camera's gain to the recorder. In this video, I'll show you how to setup the F6's line out to send scratch audio to a Canon EOS 5D mark 4 without using a attenuator cable, while maintaining a good enough signal to still be used either as is or for syncing your 32-bit files in post production. #Zoom F6 #Workaround