Tina Moore - Modern Romance (1991) HQ "Unreleased" contemporary R&B/Soul ballad скачать в хорошем качестве

Tina Moore - Modern Romance (1991) HQ "Unreleased" contemporary R&B/Soul ballad

There are artists in the industry who are consistent with what’s “in” and then there are artists in the industry who embody an attribute that is not only unforgettable, but impressive. Tina Moore has been compared to the great likes of Whitney Houston, Mariah Carey, and Toni Braxton; all of which who have remained well acclaimed and unique. Born (October 17, 1970) in Racine, Wisconsin but raised in Milwaulkee, currently living in Los Angeles, Moore discovered her singing ability in school, church, and other outlets, which introduced her to her manager Anthony Ferguson. Tina, one of six children, has always been thoroughly supported by her parents throughout her life and career. Her mother, who once had a singing career of her own, was the one who especially wanted Tina to sing. Ferguson soon opened the doors of opportunity for Moore, as she recorded demos, enrolled in the Conservatory of Music (taking voice lessons and musical theory for two years), and in 1995, Moore released her selt-titled debut (Scotti Bros./Street Life/BMG), which steared from the typical and made her coming known in the US, with six of the tracks produced by Michael J. Powell (known for his work with Anita Baker and Whitney Houston). The album was originally due in late 1994. However, finding the right material and producer delayed the release. The two most noteworthy on the album include "Color Me Blue" and her easy remake of Harry Warren’s "At Last." The album exemplified a collage of ballad, funk, and contemporary feels, as Moore’s debut and talent were not only an addition to the music world, but said to be capable of competing with Mariah Carey’s success. The albums first single "Never Gonna Let You Go" had a decent sway, but the result wasn’t what was expected. Though the single may not have flown through the charts, a much-needed addition to any music lover’s collection is the 6 track UK Garage version LP (Tuff Jam: Matt Jam Lamont and BlackSmith remix) and surprisingly made more impact when the Steve “Silk” Hurley revival was released in 1997 in England (selling 400,000 copies), initiating an impulse in Moore for her next project. In 1999, Moore became Musicmind’s encouragin new artists and after a two year breach, she returned teaming again with Powell, releasing her second-coming, "All In My Vibe". Noted as one of the best that year, it caught attention with the sexually animate “Wreck Yo Body,” produced by Baby Boy/Little Moe; a track Moore was originally uncomfortable with, but eventually, addmittedly loves. At first Tina felt the song was a little too sexually explicit. But as it evolved, she got more comfortable with it. It brought out a steamier vocal side of her that has always been there, but rarely surfaced - until 1999, that is. Not only did Powell have the pleasure of working with the sensational songstress, Multi-platinum R&B superstar singer/writer/producer Keith Sweat added his strength to the album, offering undaunted vocals in "Can I Come Home." Beaming, Tina claims she nearly fainted when she found out Sweat was interested in working with her. With revealing texture and a seething vibrance she announced her own individuality, creating a memerable break. With such clangorous vigor, Tina Moore’s journey has gradually emerged and had many in hopes she would continue renovate her trade, the industry, and prestige. "Modern Romance" is one of several demo's that got Moore signed to Scotti Bros./Street Life/BMG. Be sure to listen The Soul of Amsterdam radio show every Wednesday 22:00-24:00 CET on www.jammfm.nl - FM 104.9 (Amsterdam, Netherlands). My good friend Johan and myself play the latest contemporary R&B/Funk/Soul releases and oldies from the early 80's to present date, as well exclusive remixes and unreleased gems from the Soul of Amsterdam archive. The programme is presented (Live) in our native language but rest assured we hardly talk because we let the music do the talking!