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薰風曲 Balmy Breeze

薰風曲 （江南絲竹） Balmy Breeze （Silk and Bamboo Music） 「湛露浮堯酒，薰風走舜歌」——白居易《太平樂》 「薰風」同樣指「南風」或「和風」，堯舜則是古代聖賢之君。據漢樂各家何育斋解釋此曲為令人們想到太平盛世，歌舞昇平之樂。而「薰風」（即和風）也指風調雨順，國泰民安。 《薰風曲》是由母曲（mother tune）「大八板」所擴張變奏而成；「大八板」則是流行於江南地區的旋律，共六十四拍，民間樂師常以「大八板」進行各種變奏，以此變奏的樂曲單單在江南絲竹音樂中也有至少五首，形成一種獨特的家族或體系。同一曲調也會經各地人士往來而傳到嶺南地區——如潮汕、客家（廣州東部）及珠三角地區也有「大八板」曲調所流傳，但名字和音調都已被本土化（localized）了。例如在江南地區的《薰風曲》以二胡為主奏，另名為《中花六板》；客家漢樂中的《薰風曲》以箏為主奏，另名為《西調》。以上的相異，都展示了各地對音樂的理解和聲音取向。是此演出先由箏演奏漢樂串曲《出水蓮》接《薰風曲》，以椰胡伴奏，接着為以二胡領奏江南絲竹曲風的《薰風曲》。 "Balmy Breeze" refers to "Southern Wind" or "Soft Breeze" as well. Yao Shun is one of the ancient sages. According to an interpretation by He Yuzhai, a scholar of Han music, the song is supposed to encourage the audience to think about world peace and prosperity. The title “Balmy Breeze” is also a reference to calm weather. "Balmy Breeze" is adapted from the mother tune "Da Ba Ban". "Da Ba Ban" is a melody popular in the Jiangnan area, with a total of 64 beats. Folk musicians often use it for song adaptations and there are at least five adapted for Jiangnan Silk Bamboo musical instruments, creating a unique music family or system. Through people from all over the world, the same tunes were brought over to the Lingnan area - such as Chaoshan, Hakka (eastern Guangzhou) and the Pearl River Delta regions, where “Da Ba Ban” tunes exist but the names and tones have been localized. For example, in the Jiangnan area, "Balmy Breeze" is mainly played by the erhu, and it is also called "Chinese Flower". In Hakka music, the song is mainly played by the zheng and referred as "Western Tune". These examples show that the understanding and preference of music are different everywhere. This performance will begin with the zheng, playing "Lotus Blossoming Above Water" and "Balmy Breeze" accompanied by yehu, followed by the erhu playing “Balmy Breeze”.