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这次给大家带来的《晚夜微雨问海棠》,既是最近在收私信里收到许愿最多的几首之一,也是我创作耗时最长的几首曲子之一。大部分的时间我都在考虑如何平衡原曲装饰织体和主旋律之间的关系,因为装饰音型不断在主旋律上下来回穿梭,所以全曲大部分都采用了三行记谱表达。虽然在技术上并不难,但是这种双手交替演奏不同声部着实花了我不少时间练习,最后为了使原曲情感在钢琴上得到充分的释放,我使用了一个大跨度转调处理(原曲的音高在人声上释放的很充分,但是在钢琴上要么太低要么太高), 为了符合原曲的意境,最后的录制也是花了很长时间来调制新的灯光模式,希望大家喜欢! 难度系数:★★★★ 后期封面:@Melody莜雅 bilibili /微博/网易云:@MrLi小哥 (音频同步更新在音乐人专辑和电台) This time, I bring you "Ask Begonia in the Light Rain of Late Night", which is not only one of the most wishes I've received in private messages recently, but also one of the compositions with the most efforts. Mostly, I was thinking about how to balance the relationship between the original song's ornamental texture and the main melody. Because the ornamental figures constantly shuttle back and forth on the main melody, most of the whole song uses three-line notation to express. Although it is not difficult technically, it took me a lot of time to practice the method of alternating hands to play different parts. Finally, in order to fully release the emotion of the original song on the piano, I used a large-span modulation to deal with (The pitch of the original song is fully released on the voice, but it is either too low or too high on the piano). To the artistic conception of the original song, I also spent much time adjusting the new lighting mode in the final recording. I sincerely hope you appreciate it! Cover Designer:@Melody Meng Bilibili / Weibo / Netease Cloud: @MrLi小哥 (Audio sync updated on the musician's album and radio station)