У нас вы можете посмотреть бесплатно Gnossienne no.5 by Erik Satie (1866-1925) composed in 1889 или скачать в максимальном доступном качестве, видео которое было загружено на ютуб. Для загрузки выберите вариант из формы ниже:
Если кнопки скачивания не
загрузились
НАЖМИТЕ ЗДЕСЬ или обновите страницу
Если возникают проблемы со скачиванием видео, пожалуйста напишите в поддержку по адресу внизу
страницы.
Спасибо за использование сервиса ClipSaver.ru
To buy this song and other popular recordings of mine on Loudr or iTunes, or to listen on Spotify go here: Loudr: http://www.loudr.fm/artist/daigoro789... iTunes: https://itunes.apple.com/us/artist/da... Spotify: https://play.spotify.com/album/4ujkSn... Facebook fan-page: / 330163270336943 This is Gnossienne no.5 by the French composer Erik Satie (1866-1925) and was composed in 1889. This Gnossienne is such a departure from the rest of the series - such a beautiful and joyful piece, that also can sound quite sad and mystical like the rest of the series if played a certain way - I tried to capture both emotions/sentiments in my performance. To hear more of these mystical pieces check out my Gymnopedie and Gnossienne playlist to hear more of these wonderful pieces :) • Gymnopedies & Gnossiennes: Erik Satie "The Gnossiennes draw upon the cult of round-dances and stepping dances of the inhabitants of the town of Knossos; the Greek word gnosis, however, also means 'insight' or 'judgement'. Once more Satie plays with various possible interpretations within a genre. The harmonic, musical and even technical proximity of the Gnossiennes Nos. 1-3 (1890) to the Gymnopedies is clearly to be felt. In a departure from his customary 'ecriture musicale', Satie leaves out bar-lines and time signatures, for example. A Grecian-Oriental model sense of harmony takes the place of conventional major/minor tonality. What is striking in these works is Satie's method of composing with 'build-ing-blocks', where the small phrases that are the substance of the piece can be interchanged and repeated at whim. The Gnossiennes Nos. 4-6 (written between 1889-1897) differ from the first three in their harmonic complexity and in the greater technical demands of their accompanying figures" Taken from the preface to the Schott edition of the score.