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In Year One of Grim Fandango, Manny Calavera doesn’t begin his journey in danger or adventure — he begins in an office. The Department of Death is supposed to guide souls toward their final rest, yet everything about it operates like a sales floor. Performance charts, client lists, quotas, and commissions determine success. Redemption becomes something measured, priced, and processed. By the time we meet Manny, he has already fallen to the bottom of this system. His best clients are gone, his office has been taken, and he works surrounded by forgotten files and low-value cases that offer no real chance of progress. This small, mundane setting quietly reveals one of the game’s most important ideas — that Manny isn’t just trapped by circumstance, but by a system that rewards outcomes completely at odds with its purpose. Before Manny can leave the Land of the Dead, he first has to leave the logic of the office behind.