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When the Ground Gives Way is an original song and visual meditation on erosion, accumulation, and the quiet work required to keep a place standing. Set in Homer, Alaska, this piece explores how land responds to water, time, and care. Not through catastrophe, but through slow saturation. Hills don’t fail from impact alone. They fail when weight is allowed to pool instead of move. The visuals draw from real hydrology, archival imagery, and macro observation, honoring generations who learned to work with gravity rather than argue with it. Culverts, docks, gardens, trails. Small acts repeated over time. Quiet competence. This is not a political argument. It is a demonstration. The song follows the idea that language behaves like water. When words become heavier than truth, slopes begin to slip. When care flows instead of pooling, the ground can hold again. “The hill is only heavy if we let it sit.” Headphones recommended. Ai music by James Bradley Hood 2026 - all rights reserved Expanded Description This song and film combine acoustic folk, deep house rhythm, and yodel-based vocal textures into a slow-building composition grounded in place. Themes explored: • Hydrology and erosion • Accumulation vs impact • Land stewardship and drainage • Pioneer infrastructure and quiet labor • Language, weight, and coherence • How places hold when water is allowed to move Visuals reference: • Real erosion patterns along Kachemak Bay • Archival photographic textures similar to those found in local museums • Macro imagery of water, soil, and stagnation • Long-exposure seascapes and minimal landscape studies No faces. No slogans. No villains. Just land, water, time, and attention. This work is part of the ongoing Yodel Girl project, a character and musical practice rooted in coherence, voice, and place. The youthful voice carries memory not as nostalgia, but as continuity. If you live in a coastal town, a river valley, or anywhere the ground must be managed to remain livable, this song is for you.