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Program Notes: We all inhabit familiar spaces. The most familiar of places, those that we feel most attached to and contained by, are fertile grounds for the unexpected. In massive, cookie cutter style apartment complexes of the mid-20th and 21st centuries, we see individuals decorating identical spaces in myriad ways, expressing culture, tastes, and trends. If you enter different units in the same building, you have a feeling of a familiar space – a space which might appear different in the most superficial of ways, but at its core, is simply a replica of a space. How we interact with these familiar spaces is determined by the relationships that we have formed with our own space. We explore different spaces in a similar way, imbuing these spaces with simultaneous meaning and purpose. ----- Performed by Open Union Modular Synth: Peter Bell Electric Guitar: Patrick Ellis ----- Bio: Paolo Griffin is a composer based in Toronto, Canada, whose music explores focused/unfocussed listening, repetition, generative composition, and microtonality, while maintaining a focus on close collaboration and creative spontaneity with the performers he works with. Paolo is the Artistic and Executive Director of Freesound, a Toronto-based collective that consists of a core group of the city's most adventurous young musicians and interpreters of contemporary music. Freesound present concerts throughout the year with an interest in the work of emerging composers. A fierce advocate of accessible arts and inclusive practices, Paolo is also the Managing Director of Xenia Concerts, a Toronto-based charity that focuses on presenting accessible concerts and musical events for autism and neurodiverse communities. Through his work with Xenia, Paolo has helped to shape such programs as Sound.colLAB - a collaborative project in which seven neurodivergent artists have co-created an original piece of music under the mentorship of professional musicians. 2022-23 engagements include lectures at the Sibelius Academy in Finland, and the Tuckamore Chamber Music Festival's Widening the Circle initiative where he appeared as a mentor composer. Other events include premieres with the Continuum Ensemble, with saxophonist David Zucchi in Toronto, and at the Aurore Renaissance Music Festival in Helsinki. Paolo's music has been featured in at festivals across Canada, including Ottawa Chamberfest, Toronto Summer Music, and Big Lake Arts Festival. His music can be heard in concert and on the radio by performers and ensembles such as Continuum Ensemble (CA), Residentie Orkest (NL), The New European Ensemble (NL), Avanti! Chamber Music (FI), Thin Edge New Music Collective(CA), Duo Holz (CA), Freesound (CA), and more. Paolo holds degrees from the University of Toronto and the Royal Conservatoire of the Hague where he studied with Peter Adriaansz and Martijn Padding. Other teachers have included Linda Catlin Smith, Anthony Tan, Juhani Nuorvala, Chaya Czernowin, Mayke Nas, Matthew Whittall, Jukka Tiensuu, Rodney Sharman, Gary Kulesha, Nobert Palej, Huba de Graaff, Jan van de Putte, Ana Sokolovic, Peter Ablinger, Christopher Theofanidis, Mario Garuti, Dmitri Tomozco, Amy Beth Kirsten, and Chen Yi. Paolo's sits on the board of Musicworks Magazine. His work and research is supported by the Canada Council for the Arts, the Ontario Arts Council, and the Canadian New Music Network.