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Various video clips I recorded on February 19th 2023 during an afternoon visit to Little Rock Zoo in Little Rock, Arkansas :) Shot on Panasonic GH5M2 camera with Panasonic Leica 200mm f/2.8 lens, all handheld using manual focus and 2.35 aspect ratio frame guide at 50%. I own the 1.4x and 2.0x teleconverters but didn't use them on this video. Azden SMX-30 microphone used for audio capture. Freewell Magnetic Filter system used with straight stop ND filters (ND4 2-stop, ND8 3-stop, ND16 4-stop, ND32 5-stop and ND64 6-stop) for 1 to 11 stops of light reduction when using two filters simultaneously. I don't use VND filters due to polarization issues (especially when recording through glass) and I don't use mist filters as highlight rolloff and highlight bloom can be achieved in post production with far greater control. All shots in VLOG-L color profile, UHD 4K at 24fps LongGOP 10-bit 4:2:2 chroma subsampling or 4K at 60fps LongGOP 10-bit 4:2:0 chroma subsampling and slowed down to 24fps. Shutter angle set to 180 degrees with Synchro Scan feature enabled in case I accidentally bump the shutter dial, my shutter angle won't effectively change. Developed my own method to achieve accurate white balance and accurate VLOG-L exposure without any physical assist tools in the field (no grey/white card or color/exposure chart etc) aside from on camera tools such as the waveform monitor and zebras as general guides; I say "general" guides as I do not rely on them entirely for my final exposure. Quality exposure / color is achieved by me via several stages: 1) Expert level customization of my camera settings and custom buttons to facilitate fast and proper exposure in the field. My whole philosophy to customizing my camera is different than what most people recommend. I've always been an independent thinker. 2) My "perceptual exposure" method accounting for and exploiting tone mapping in the camera being applied. While I do use the waveform monitor and zebra patterns as assists, I don't rely on them completely for my final exposure (as I mentioned above). 3) My own LUT I created in Davinci Resolve with my DSC Labs ChromaMatch Pro color chart to neutralize the colors in VLOG-L for a custom Rec709 approximation corrective LUT with tone mapping removed. 4) Additional subtle affects like highlight rolloff tweaks, highlight bloom, vignetting, subtle film look (creative look) using Dehancer Pro, a plugin for Davinci Resolve. Cheaper alternatives to Dehancer Pro exist for film emulation or just using what's in Resolve will work fine too. I work with HDR Wheels in Resolve for fine control over tone mapping, as VLOG-L is a high dynamic range profile. Subtle sharpening applied in luminance channel of LAB color space (achieved with Color Space Transform node). While I do use Neat Video denoising software, YouTube denoises your video anyway, so unless a shot is really noisy I won't denoise it if destined for YouTube. All of my color grading nodes are baked down into a Davinci Resolve "PowerGrade". Since my VLOG-L exposure is pretty much correct when I shoot it (within roughly a 1/3rd exposure value error range from 18% linear / 50% perceptual middle grey), I don't have to do additional corrective grading except for a minor tweak here and there. I simply applied my PowerGrade to all my shots and did a few minor tweaks on some shots. It was about a 30 minute color grade for the entire video as this time I had some fun making a creative color grade, and needed to remove a slight tint from the use of the Freewell filters. I found that A1 G1 tint adjustment on white balance in camera will give even better results next time. I did use stabilization (Perspective at 50% strength) in Resolve on roughly half the shots :) #Wildlife #Animals #LUMIX #LUMIX_GH_series #GH5M2 #gh5ii #microfourthirds #panasonic @PanasonicLumixVideo tags: animals, critters, zoo gh5, g9, gh5ii, m43, MFT, microfourthirds, PL 200