Queercoding in Disney Villain Songs | Dreamsounds скачать в хорошем качестве

Queercoding in Disney Villain Songs | Dreamsounds

Disney villains are infamous for being queercoded on many levels—let's take a look at how that affects their iconic songs! ___________________ The pieces of media and music featured in this video are quoted for critical and educational purposes. Those looking to completely understand the pieces are encouraged to purchase the original works. ___________________ Donate on Patreon:   / dreamsounds   One-time Paypal Donation: https://www.paypal.me/jakebellissimo Follow me on Twitter:   / dreamsoundsvid   ___________________ Special thanks to Dr. Samantha Zerin of Disney Music Theory - her class on Disney villain music was where I first learned about the link between early Disney films and European folklore tropes. I highly recommend checking out her work! https://www.disneymusictheory.com/ Rowan Ellis' video on Queercoding and Queerbaiting:    • The Evolution Of Queerbaiting: From Queerc...   My video on "The Unique Queerness of Howard Ashman's Songs":    • The Unique Queerness of Howard Ashman's So...   ___________________ MUSIC USED: Vladimir Horowitz (Player Piano), "Preludio e fuga in D maj (1.Preludio)" by J.S. Bach:    • Horowitz Piano Rolls 1926 : Bach/Busoni Pr...   Frank Milae (Player Piano), "You Do Something to Me" by Cole Porter: https://www.youtube.com/watch?v=e9W9q... ___________________ SOURCES: Adams, Nick et al. - "Gaston" (Broadway Villains Party):    • Jason Michael Snow & Nick Adams - "Gaston"...   Beachy, Robert. Gay Berlin: Birthplace of a Modern Identity. Vintage Books, 2015. HaCohen, Ruth. The Music Libel against the Jews. Verlag Nicht Ermittelbar, 2013. Pasulka, Nicole, et al. “Unearthing the Sea Witch.” Hazlitt, 14 Jan. 2016, hazlitt.net/longreads/unearthing-sea-witch.