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What if the locomotive were more than steel and steam—what if it were a psalm? In The Men Behind the Machines, Gerald Stanley Lee dares to proclaim what poets, preachers, and critics have too long denied: that beauty—real, muscular, thunderous beauty—lives not just in sunsets and sonnets, but in switchhouses, turbines, and the darkened faces of brakemen. With sweeping eloquence and prophetic fire, Lee lifts the machine from the realm of the merely mechanical into the domain of the spiritual, asking whether a world built of wheels and wires might yet possess a soul. This is no mere tribute to industry—it is a metaphysical rallying cry for a century forged in iron, sparked by electricity, and haunted by the question: can the divine speak through a dynamo? Lee answers not from the pulpit, but from the cab of an engine, roaring into the dawn.