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Yann Robin(*1974) - Le papillon noir, an Opera for a singer-actress, choir, and 13 instruments on the text by Yannick Haenel (2018) Le papillon noir, Opéra pour actrice-chanteuse, choeur et 13 instruments by Yann Robin © 2018 by Editions Henri Lemoine/Editions Jobert https://www.henry-lemoine.com/en/cata... 0:00 Overture 4:20 Paysages 1 17:14 (Interlude) 20:33 Paysages 2 49:42 (Interlude 2) 52:19 Paysages 3 Disclaimer: This video is just for promotion, and not for profit. I hold no right to the picture on the video nor the music itself. All rights reserved for the composer and the publisher. Please write me a direct message if you have complaints about this upload concerning copyright issues. In that case, I will delete the video immediately. email: [email protected] Elise Chauvin, soprano Les Métaboles Ensemble Multilatérale Léo Warynski, conductor Arthur Nauzyciel, staging A woman comes home. She makes herself comfortable, pours herself a drink, prepares to eat. Soon, his speech, like a flow of thought, reveals flaws from which spring images, memories: happy moments and mourning, dark thoughts and moments of enjoyment, eroticism and emotions. She realizes, and the public with her, that she is in shock: she has just had a car accident... and we follow her to the brink of death, experiencing what the one could call a “hierophany”: the manifestation of the transcendent in a phenomenon of our cosmos. Yann Robin and Yannick Haenel, with the complicity of Arthur Nauzyciel, imagined a one-of-a-kind monodrama, an unidentified operatic object with 27 artists on stage. Embodying the young woman, Élise Chauvin is an actress-singer, her voice is a haunting and panting breath. Singing is the realm of the Choir which, completed by the ensemble and the electronics, acts as a guide to death, relying on the Tibetan Book of the Dead, the "Bardo Thöd(r)ol" which means "the great guide by listening in the intermediate states”. A work that auscultates the carnal density of memories and emotions.