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While our beloved main host, Alex Lamy, is on tour with Hans Zimmer, British composer Claire Wickes takes over the channel for a couple of episodes. In her first video, Claire enlightens you on how music is divided into little time-chunks, called bars or measures, in order not to lose the overview of your piece. These measures can have different lengths and can also imply certain rhythms. Claire waltzes through the various time signatures and their categories — simple, compound, and complex — and finishes the episode with good practices for film and media composers. Virtual Orchestration is a collaboration between Berklee College of Music (Boston, USA) and Orchestral Tools (Berlin, Germany). ▬▬ Table of content ▬▬▬▬▬▬▬▬▬▬▬▬▬▬ 0:00 - Intro to time signatures 2:01 - Varying different time signatures 2:38 - 3 / 4 4:17 - 4 / 4 6:01 - Compound time signatures 7:52 - Complex time signatures Assets used in the video : SFX : The following sounds provided by: https://mixkit.co/ Air Whoosh __________________________________________________ Additional Music G. Holst - The planets, score: https://imslp.org/wiki/File:PMLP33488... J. Strauss - Blue Danube https://commons.wikimedia.org/wiki/Fi... Video creation credits: Script / video concept 📜 : Claire Wickes, Eduard Flemmer Music 🎶 : Claire Wickes Camera 🎥 and Editing ✂️ : Fabián Barba Hallal Motion graphics 🎨 : Michael Logar