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Tracklist 1 - Wave 00:00 2 - Chega de Saudade 02:48 3 - Sabiá 06:41 4 - Samba do Avião 10:00 5 - Garota de Ipanema 13:25 6 - Retrato em Branco e Preto 17:27 7 - Modinha (Seresta Nº 5) 19:32 8 - Modinha 22:26 9 - Canta, Canta Mais 24:41 10 - Eu Não Existo Sem Você 28:40 11 - Por Causa de Você 31:23 12 - Sucedeu Assim 33:47 13 - Imagina 36:20 14 - Eu Sei Que Vou Te Amar 38:11 15 - Canção do Amor Demais 40:04 16 - Falando de Amor 41:45 17 - Inútil Paisagem 45:38 18 - Derradeira Primavera 48:26 19 - Canção em Modo Menor 50:44 20 - Estrada do Sol 53:06 21 - Águas de Março 56:18 22 - Samba de Uma Nota Só 59:54 23 - Desafinado 01:02:54 24 - A Felicidade 01:05:49 "February 1987. Rio de Janeiro. More precisely, at Ana and Tom Jobim's house. Between a whiskey and a piano chord, I said: "Tomzinho, our project was approved. Now, you're the boss. We even have a budget for you to invite whoever you want to make special appearances. (...) From March to September, the sequence came: choosing the repertoire, rehearsals, recordings, mixing. Everyone had a say in the selection of songs, but Tom was the one who defined it. He chose the main soloists for each track from among the members of his own band. He decided to include "Modinha" by Villa Lobos (Seresta n° 5) on the album and rehearsed it first with Paulinha Morelenbaum. When it sounded beautiful, he decided that Danilo Caymmi would sing it. He left the musical direction and orchestral arrangements to Jaques Morelenbaum and Paulinho Jobim. Jairo Severiano was in charge of production and the "girls" sang beautifully. Rehearsals and recordings always had a festive atmosphere, which Tom created simply by being there. The only thing that interrupted his smile or his broad gestures was the news that Maria Luiza, who had just been born, sneezed. After the album was finished, many people heard Tom say that it was his favorite work. But with only one edition, not available for sale, very few people were able to enjoy it - something that was initially fixed in 1995. It's great that now access to it is wider, thanks to the partnership between Jobim Music and Biscoito Fino - a young record label that has already established itself through the exceptional quality of its releases." Vera de Alencar, Museologist -------------------------------------------- Personnel Musicians String Orchestra Giancarlo Pareschi (spalla), José Alves, Bernard Bessler, Aisik Geller, Michel Bessler, Paschoal Perrota and Carlos Eduardo Hack (violins); Frederick Stephany and Arlindo Penteado (violas); Alceu de Almeida Reis and Márcio Malard (cellos); Sandrino Santoro (double bass) Phonographic producers: Vera de Alencar and Jairo Severiano Musical producers: Jaques Morelenbaum and Paulo Jobim Arrangements: Tom Jobim, Paulo Jobim and Jaques Morelenbaum Recording engineer: Carlos de Andrade (Carlão) 24-channel recording: Estúdio Transamérica (Rio de Janeiro); Recording engineer: Renato Luís de Oliveira Studio assistant: Alcides Rodrigues (Cidinho) Mixing (Estúdio Sigla - Rio de Janeiro): Carlos de Andrade (Carlão), Jaques Morelenbaum and Paulo Jobim Cover design: Elizabeth Jobim, Ana Lontra Jobim and Kiko Farkas Cover drawing: Elizabeth Jobim Graphic design: Kiko Farkas Photography: Ana Lontra Jobim Recorded and mixed between May and August 1987 A Jobim production Biscoito Fino General direction: Kati Almeida Braga and Ana Lontra Jobim Artistic direction: Olivia Hime and Paulo Jobim Production coordination: Renata Leite Barbosa Graphic adaptation: Pedro Bastos -------------------------------------------- A casa da Música Brasileira. Acesse também: Nosso site: https://www.biscoitofino.com.br/ Nosso perfil no Spotify: https://bit.ly/3OIouxX Nosso perfil no Instagram: / biscoitofino Nosso perfil no TikTok: / biscoitofinooficial